1386 lines
95 KiB
Plaintext
1386 lines
95 KiB
Plaintext
# for Emacs: -*- coding: utf-8 -*-
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include "%L"
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# Custom additions: Typography
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<Multi_key> <period> <period> : "…" U2026 # HORIZONTAL ELLIPSIS
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<Multi_key> <v> <period> <period> : "⋮" U22EE # VERTICAL ELLIPSIS
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<Multi_key> <c> <period> <period> : "⋯" U22EF # MIDLINE HORIZONTAL ELLIPSIS
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<Multi_key> <slash> <period> <period> : "⋰" U22F0 # UP RIGHT DIAGONAL ELLIPSIS
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# To avoid conflict with \. for combining dot above.
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#<Multi_key> <backslash> <period> <period> : "⋱" U22F1 # DOWN RIGHT DIAGONAL ELLIPSIS
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<Multi_key> <period> <backslash> <period> : "⋱" U22F1 # DOWN RIGHT DIAGONAL ELLIPSIS
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# Will we someday regret this, wanting 2. for ⒉ ?
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<Multi_key> <2> <period> : "‥" U2025 # TWO DOT LEADER
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# This should not be needed.
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#<Multi_key> <1> <period> : "․" U2024 # ONE DOT LEADER
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<Multi_key> <c> <1> <period> : "·" U00B7 # MIDDLE DOT (maybe I can remember the keystroke better?
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<Multi_key> <period> <slash> <period> : "⁒" U2052 # COMMERCIAL MINUS SIGN
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### or && ?
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<Multi_key> <ampersand> <at> : "⅋" U214B # TURNED AMPERSAND
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<Multi_key> <ampersand> <7> : "⁊" U204A # TIRONIAN SIGN ET
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# Printable sign for space. But is \<space> too useful a key combo to use
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# for this?
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<Multi_key> <backslash> <space> : "␣" U2423 # OPEN BOX
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# These two are already present for me:
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# <Multi_key> <minus> <minus> <minus> : "—" U2014 # EM DASH
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# <Multi_key> <minus> <minus> <period> : "–" U2013 # EN DASH
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# But I can never remember them!
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<Multi_key> <minus> <M> : "—" U2014 # EM DASH
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<Multi_key> <minus> <N> : "–" U2013 # EN DASH
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<Multi_key> <minus> <minus> <space> : "– " # EN DASH (followed by space)
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<Multi_key> <minus> <asciitilde> <minus> : "―" U2015 # HORIZONTAL BAR
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<Multi_key> <minus> <2> <M> : "⸺" U2E3A # TWO-EM DASH
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<Multi_key> <minus> <3> <M> : "⸻" U2E3B # THREE-EM DASH
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<Multi_key> <backslash> <minus> : "" U00AD # SOFT HYPHEN
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# This is the recommended typographical practice for em dashes in English.
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# Unfortunately, it doesn’t work out all that well in monospace fonts,
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# where the thin spaces aren’t thin. But I think this is okay.
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# This conflicts with the default binding to “~”, which is potentially
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# a problem for non-American keyboards.
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<Multi_key> <space> <minus> : " — " # EM DASH surrounded by THIN SPACEs.
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# Quotation marks.
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<Multi_key> <comma> <space> : "‚" U201A # SINGLE LOW-9 QUOTATION MARK
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<Multi_key> <comma> <comma> : "„" U201E # DOUBLE LOW-9 QUOTATION MARK
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<Multi_key> <less> <comma> <comma> : "⹂" U2E42 # DOUBLE LOW-REVERSED-9 QUOTATION MARK
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<Multi_key> <apostrophe> <space> : "’" U2019 # RIGHT SINGLE QUOTATION MARK
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<Multi_key> <apostrophe> <apostrophe> : "”" U201D # RIGHT DOUBLE QUOTATION MARK
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<Multi_key> <grave> <space> : "‘" U2018 # LEFT SINGLE QUOTATION MARK
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<Multi_key> <grave> <grave> : "“" U201C # LEFT DOUBLE QUOTATION MARK
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<Multi_key> <6> <apostrophe> : "‘" U2018 # LEFT SINGLE QUOTATION MARK (high 6)
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<Multi_key> <6> <quotedbl> : "“" U201C # LEFT DOUBLE QUOTATION MARK (66)
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<Multi_key> <9> <apostrophe> : "’" U2019 # RIGHT SINGLE QUOTATION MARK (high 9)
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<Multi_key> <9> <quotedbl> : "”" U201D # RIGHT DOUBLE QUOTATION MARK (99)
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<Multi_key> <less> <9> <apostrophe> : "‛" U201B # SINGLE HIGH-REVERSED-9 QUOTATION MARK
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<Multi_key> <less> <9> <quotedbl> : "‟" U201F # DOUBLE HIGH-REVERSED-9 QUOTATION MARK
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<Multi_key> <comma> <apostrophe> : "‚" U201A # SINGLE LOW-9 QUOTATION MARK (quote resembling a comma)
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<Multi_key> <comma> <quotedbl> : "„" U201E # DOUBLE LOW-9 QUOTATION MARK
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# Convenience shortcuts for quotation marks.
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<Multi_key> <space> <quotedbl> : " “" # space followed by LEFT DOUBLE QUOTATION MARK
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<Multi_key> <quotedbl> <space> : "” " # RIGHT DOUBLE QUOTATION MARK followed by space
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<Multi_key> <space> <apostrophe> : " ‘" # space followed by LEFT SINGLE QUOTATION MARK
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# Unfortunately <apostrophe> <space> is, asymmetrically, just "’". Whatever.
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<Multi_key> <n> <t> : "n’t " # Apostrophized English “not.”
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# Some more English shortcuts:
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<Multi_key> <space> <t> : " the "
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<Multi_key> <space> <T> : " The "
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<Multi_key> <space> <a> : " and "
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<Multi_key> <i> <m> : " I’m "
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<Multi_key> <v> <e> : "’ve "
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<Multi_key> <comma> <at> : "⸲" U2E32 # TURNED COMMA
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# Conflicts with system def? (·)
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<Multi_key> <period> <asciicircum> : "⸳" U2E33 # RAISED DOT
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<Multi_key> <period> <asciitilde> : "⸳" U2E33 # RAISED DOT
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<Multi_key> <comma> <asciicircum> : "⸴" U2E34 # RAISED COMMA
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<Multi_key> <semicolon> <at> : "⸵" U2E35 # TURNED SEMICOLON
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# Convlicts with system def? (⍭)
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<Multi_key> <asciitilde> <bar> : "ⸯ" U2E2F # VERTICAL TILDE
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<Multi_key> <asciicircum> <bar> : "ⸯ" U2E2F # VERTICAL TILDE
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<Multi_key> <minus> <equal> : "⹀" U2E40 # DOUBLE HYPHEN
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<Multi_key> <comma> <less> : "⹁" U2E41 # REVERSED COMMA
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<Multi_key> <less> <bar> : "↵" U21B5 # DOWNWARDS ARROW WITH CORNER LEFTWARDS
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# The bullet was <o> <period>, but it clashes with ꙭ
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<Multi_key> <asterisk> <1> : "•" U2022 # BULLET
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# By default <Multi_key> <period> <period> does this, but we broke that with the ... binding.
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<Multi_key> <o> <underscore> : "⁃" U2043 # HYPHEN BULLET
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<Multi_key> <o> <comma> : "·" periodcentered # MIDDLE DOT
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# I don’t use this nearly as often as the em-dash sequence I’ve remapped it to:
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#<Multi_key> <space> <minus> : "‑" U2011 # NON-BREAKING HYPHEN
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# Already present for me:
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# <Multi_key> <space> <space> : " " U00A0 # NO-BREAK SPACE
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# Narrow no-break space, needed for some Latin languages like French
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<Multi_key> <space> <n> : " " U202f # NARROW NO-BREAK SPACE
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# Technically, NO-BREAK SPACE is not supposed to be fixed-width. This is:
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<Multi_key> <space> <numbersign> : " " U2007 # FIGURE SPACE
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# We used to have THIN SPACE as <space> <apostrophe>, but now that’s remapped
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# to " ‘", for conveniently enclosing things in proper single-quotes.
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<Multi_key> <backslash> <comma> : " " U2009 # THIN SPACE
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# (heh, heh... space bar)
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<Multi_key> <space> <bar> : " " U200A # HAIR SPACE
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<Multi_key> <d> <a> <g> : "†" U2020 # DAGGER
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<Multi_key> <d> <d> <a> <g> : "‡" U2021 # DOUBLE DAGGER
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<Multi_key> <s> <e> <c> : "§" U00A7 # SECTION SIGN
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# It's in the Asian section, but it's a general-purpose punctuation:
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<Multi_key> <quotedbl> <quotedbl> : "〃" U3003 # DITTO MARK
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# Working with the pattern from FLOOR/CEILING
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<Multi_key> <7> <asciicircum> <bracketleft> : "⸢" U2E22 # TOP LEFT HALF BRACKET
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<Multi_key> <7> <asciicircum> <bracketright> : "⸣" U2E23 # TOP RIGHT HALF BRACKET
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<Multi_key> <L> <underscore> <bracketleft> : "⸤" U2E24 # BOTTOM LEFT HALF BRACKET
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<Multi_key> <L> <underscore> <bracketright> : "⸥" U2E25 # BOTTOM RIGHT HALF BRACKET
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<Multi_key> <7> <asciicircum> <parenleft> : "⹙" U2E59 # TOP HALF LEFT PARENTHESIS
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<Multi_key> <7> <asciicircum> <parenright> : "⹚" U2E5A # TOP HALF RIGHT PARENTHESIS
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<Multi_key> <L> <underscore> <parenleft> : "⹛" U2E5B # BOTTOM HALF LEFT PARENTHESIS
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<Multi_key> <L> <underscore> <parenright> : "⹜" U2E5C # BOTTOM HALF RIGHT PARENTHESIS
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<Multi_key> <U> <parenleft> : "⸦" U2E26 # LEFT SIDEWAYS U BRACKET
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<Multi_key> <U> <parenright> : "⸧" U2E27 # RIGHT SIDEWAYS U BRACKET
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# Consider <7> <less>/<greater> for ⸂⸃ maybe? <S> and <slash> for ⸉⸊⸌⸍ ...?
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<Multi_key> <minus> <less> : "←" leftarrow # LEFTWARDS ARROW
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<Multi_key> <minus> <asciicircum> : "↑" uparrow # UPWARDS ARROW
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<Multi_key> <minus> <greater> : "→" rightarrow # RIGHTWARDS ARROW
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<Multi_key> <minus> <v> : "↓" downarrow # DOWNWARDS ARROW
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<Multi_key> <less> <minus> <greater> : "↔" U2194 # LEFT RIGHT ARROW (kragen's)
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<Multi_key> <Left> <Left> : "←" leftarrow # LEFTWARDS ARROW
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<Multi_key> <Up> <Up> : "↑" uparrow # UPWARDS ARROW
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<Multi_key> <Right> <Right> : "→" rightarrow # RIGHTWARDS ARROW
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<Multi_key> <Down> <Down> : "↓" downarrow # DOWNWARDS ARROW
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<Multi_key> <Left> <Right> : "↔" U2194 # LEFT RIGHT ARROW (kragen's)
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<Multi_key> <Right> <Left> : "↔" U2194 # LEFT RIGHT ARROW (kragen's)
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<Multi_key> <Up> <Down> : "↕" U2195 # UP DOWN ARROW (kragen's)
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<Multi_key> <Up> <ampersand> <Down> : "⇵" U21F5 # DOWNWARDS ARROW LEFTWARDS OF UPWARDS ARROW
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<Multi_key> <Down> <Left> : "↵" U21B5 # DOWNWARDS ARROW WITH CORNER LEFTWARDS
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<Multi_key> <Left> <o> : "⟲" U27F2 # ANTICLOCKWISE GAPPED CIRCLE ARROW
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<Multi_key> <Right> <o> : "⟳" U27F3 # CLOCKWISE GAPPED CIRCLE ARROW
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<Multi_key> <Left> <c> : "↺" U21BA # ANTICLOCKWISE OPEN CIRCLE ARROW
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<Multi_key> <Right> <c> : "↻" U21BB # CLOCKWISE OPEN CIRCLE ARROW
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<Multi_key> <Left> <asciitilde> : "⇜" U21DC # LEFTWARDS SQUIGGLE ARROW
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<Multi_key> <asciitilde> <Left> <asciitilde> : "⬳" U2B33 # LONG LEFTWARDS SQUIGGLE ARROW
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<Multi_key> <Right> <asciitilde> : "⇝" U21DD # RIGHTWARDS SQUIGGLE ARROW
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<Multi_key> <asciitilde> <Right> <asciitilde> : "⟿" U27FF # LONG RIGHTWARDS SQUIGGLE ARROW
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<Multi_key> <Left> <bar> : "⇤" U21E4 # LEFTWARDS ARROW TO BAR
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<Multi_key> <Right> <bar> : "⇥" U21E5 # RIGHTWARDS ARROW TO BAR
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<Multi_key> <Left> <minus> : "⇠" U21E0 # LEFTWARDS DASHED ARROW
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<Multi_key> <Up> <minus> : "⇡" U21E1 # UPWARDS DASHED ARROW
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<Multi_key> <Right> <minus> : "⇢" U21E2 # RIGHTWARDS DASHED ARROW
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<Multi_key> <Down> <minus> : "⇣" U21E3 # DOWNWARDS DASHED ARROW
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<Multi_key> <z> <z> <greater> : "↯" U21AF # DOWNWARDS ZIGZAG ARROW
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# Arrow keys don't always work: some apps trap them for cursor control and
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# other boring things. The arrow symbols have alternate keystrokes. Do
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# we need others for these printer's fists? If so, what? The -= and =-
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# we had before are not necessarily the best choices.
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<Multi_key> <F> <Left> : "☚" U261A # BLACK LEFT POINTING INDEX
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<Multi_key> <F> <Right> : "☛" U261B # BLACK RIGHT POINTING INDEX
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<Multi_key> <f> <Left> : "☜" U261C # WHITE LEFT POINTING INDEX
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<Multi_key> <f> <Up> : "☝" U261D # WHITE UP POINTING INDEX
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<Multi_key> <f> <Right> : "☞" U261E # WHITE RIGHT POINTING INDEX
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<Multi_key> <f> <Down> : "☟" U261F # WHITE DOWN POINTING INDEX
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<Multi_key> <f> <v> : "✌" U270C # VICTORY HAND
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<Multi_key> <f> <w> : "✍" U270D # WRITING HAND
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<Multi_key> <f> <p> <Down> : "✎" U270E # LOWER RIGHT PENCIL
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<Multi_key> <f> <p> <Right> : "✏" U270F # PENCIL
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<Multi_key> <f> <p> <Up> : "✐" U2710 # UPPER RIGHT PENCIL
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# For some logical statements. I prefer doubled arrows for implication.
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<Multi_key> <equal> <greater> : "⇒" U21D2 # RIGHTWARDS DOUBLE ARROW
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<Multi_key> <equal> <less> : "⇐" U21D0 # LEFTWARDS DOUBLE ARROW
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<Multi_key> <less> <minus> <equal> <greater> : "⇔" U21D4 # LEFT RIGHT DOUBLE ARROW
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<Multi_key> <equal> <Right> <Right> : "⇒" U21D2 # RIGHTWARDS DOUBLE ARROW
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<Multi_key> <equal> <Left> <Left> : "⇐" U21D0 # LEFTWARDS DOUBLE ARROW
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<Multi_key> <equal> <Left> <Right> : "⇔" U21D4 # LEFT RIGHT DOUBLE ARROW
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<Multi_key> <equal> <Right> <Left> : "⇔" U21D4 # LEFT RIGHT DOUBLE ARROW
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<Multi_key> <equal> <Up> <Up> : "⇑" U21D1 # UPWARDS DOUBLE ARROW
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<Multi_key> <equal> <Down> <Down> : "⇓" U21D3 # DOWNWARDS DOUBLE ARROW
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<Multi_key> <equal> <Up> <Down> : "⇕" U21D5 # UP DOWN DOUBLE ARROW
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<Multi_key> <equal> <Down> <Left> : "⏎" U23CE # RETURN SYMBOL
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# These are just too cool-looking not to have (if your font supports them)
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<Multi_key> <equal> <period> <equal> : "⸎" U2E0E # EDITORIAL CORONIS
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<Multi_key> <Multi_key> <p> <a> <l> <m> : "⸙" U2E19 # PALM BRANCH
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<Multi_key> <Multi_key> <b> <r> <a> <n> <c> <h>: "⸙" U2E19 # PALM BRANCH
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<Multi_key> <f> <f> : "ff" UFB00 # LATIN SMALL LIGATURE FF
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<Multi_key> <f> <i> : "fi" UFB01 # LATIN SMALL LIGATURE FI
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<Multi_key> <F> <i> : "ffi" UFB03 # LATIN SMALL LIGATURE FFI
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<Multi_key> <f> <l> : "fl" UFB02 # LATIN SMALL LIGATURE FL
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<Multi_key> <F> <l> : "ffl" UFB04 # LATIN SMALL LIGATURE FFL
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<Multi_key> <s> <t> : "st" UFB06 # LATIN SMALL LIGATURE ST
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<Multi_key> <f> <t> : "ſt" UFB05 # LATIN SMALL LIGATURE LONG S T
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# allow me still to use my ſ key, okay?
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<Multi_key> <U017F> <t> : "ſt" UFB05 # LATIN SMALL LIGATURE LONG S T
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# ß is already available as <s><s> I think. But now it comes in industrial size!
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<Multi_key> <S> <S> : "ẞ" U1E9E # LATIN CAPITAL LETTER SHARP S
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# Eventually we'll have to look over the really crazy-cakes Latin letters
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# they're adding as "mediævalist extensions"
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# ꜢꜣꜤꜥ for the Egyptologists, Ꝏꝏ because they're cꝏl... Maybe some others.
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# Can't do <o> <o> for ꝏ though, since that's already °.
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# Epigraphics should not be missed:
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<Multi_key> <F> <less> : "ꟻ" UA7FB # LATIN EPIGRAPHIC LETTER REVERSED F
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<Multi_key> <P> <less> : "ꟼ" UA7FC # LATIN EPIGRAPHIC LETTER REVERSED P
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<Multi_key> <F> <BackSpace> : "ꟻ" UA7FB # LATIN EPIGRAPHIC LETTER REVERSED F
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<Multi_key> <P> <BackSpace> : "ꟼ" UA7FC # LATIN EPIGRAPHIC LETTER REVERSED P
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<Multi_key> <F> <F> : "Ⅎ" U2132 # TURNED CAPITAL F
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<Multi_key> <F> <f> : "ⅎ" U214E # TURNED SMALL F
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<Multi_key> <M> <W> : "ꟽ" UA7FD # LATIN EPIGRAPHIC LETTER INVERTED M
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<Multi_key> <M> <M> : "Ɯ" U019C # LATIN CAPITAL LETTER TURNED M
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<Multi_key> <I> <bar> : "ꟾ" UA7FE # LATIN EPIGRAPHIC LETTER I LONGA
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<Multi_key> <M> <slash> : "ꟿ" UA7FF # LATIN EPIGRAPHIC LETTER ARCHAIC M
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<Multi_key> <2> <2> : "↊" U218A # TURNED DIGIT TWO
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<Multi_key> <3> <3> : "↋" U218B # TURNED DIGIT THREE
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# I'd been avoiding this because we already have ∃...
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# Hey, these, being *letters* can be used as identifiers in some languages...
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<Multi_key> <E> <less> : "Ǝ" U018E # LATIN CAPITAL LETTER REVERSED E
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<Multi_key> <E> <BackSpace> : "Ǝ" U018E # LATIN CAPITAL LETTER REVERSED E
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<Multi_key> <e> <less> : "ɘ" U0258 # LATIN SMALL LETTER REVERSED E
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<Multi_key> <e> <BackSpace> : "ɘ" U0258 # LATIN SMALL LETTER REVERSED E
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# Complete the set
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<Multi_key> <A> <less> : "Ɐ" U2C6F # LATIN CAPITAL LETTER TURNED A
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# These seem too long as keystrokes; any suggestions?
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# How about 2o?
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<Multi_key> <o> <ampersand> <o> : "ꝏ" UA74F # LATIN SMALL LETTER OO
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<Multi_key> <O> <ampersand> <O> : "Ꝏ" UA74E # LATIN CAPITAL LETTER OO
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<Multi_key> <2> <o> : "ꝏ" UA74F # LATIN SMALL LETTER OO
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<Multi_key> <2> <O> : "Ꝏ" UA74E # LATIN CAPITAL LETTER OO
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# Latin-D chars I'm particularly thinking about:
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# (side note: "I" has many referents in this file.)
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# ꜲꜳꜴꜵꜶꜷꜸꜹꜼꜽꝒꝓꝔꝕꝚꝛꝜꝝꝠꝡꝪꝫꝸ
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# The ligature pairs are so easy, might as well include them (probably
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# using ampersand though). P with flourish? Squirrel tail? How
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# pretty! I like the r and rum rotunda, and et actually has something
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# close to usefulness (it was very common for abbreviations, and is the
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# source of the "z" in abbreviations like oz. and viz.) Some others
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# are a little appealing too.
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<Multi_key> <A> <ampersand> <A> : "Ꜳ" UA732 # LATIN CAPITAL LETTER AA
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<Multi_key> <a> <ampersand> <a> : "ꜳ" UA733 # LATIN SMALL LETTER AA
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<Multi_key> <2> <A> : "Ꜳ" UA732 # LATIN CAPITAL LETTER AA
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<Multi_key> <2> <a> : "ꜳ" UA733 # LATIN SMALL LETTER AA
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<Multi_key> <A> <ampersand> <O> : "Ꜵ" UA734 # LATIN CAPITAL LETTER AO
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<Multi_key> <a> <ampersand> <o> : "ꜵ" UA735 # LATIN SMALL LETTER AO
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<Multi_key> <A> <ampersand> <U> : "Ꜷ" UA736 # LATIN CAPITAL LETTER AU
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<Multi_key> <a> <ampersand> <u> : "ꜷ" UA737 # LATIN SMALL LETTER AU
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<Multi_key> <A> <ampersand> <V> : "Ꜹ" UA738 # LATIN CAPITAL LETTER AV
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<Multi_key> <a> <ampersand> <v> : "ꜹ" UA739 # LATIN SMALL LETTER AV
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<Multi_key> <A> <ampersand> <Y> : "Ꜽ" UA73C # LATIN CAPITAL LETTER AY
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<Multi_key> <a> <ampersand> <y> : "ꜽ" UA73D # LATIN SMALL LETTER AY
|
||
<Multi_key> <slash> <ampersand> <L> : "Ꝇ" UA746 # LATIN CAPITAL LETTER BROKEN L
|
||
<Multi_key> <slash> <ampersand> <l> : "ꝇ" UA747 # LATIN SMALL LETTER BROKEN L
|
||
# (See above for reason behind keystrokes)
|
||
<Multi_key> <Z> <period> : "Ꝫ" UA76A # LATIN CAPITAL LETTER ET
|
||
<Multi_key> <z> <period> : "ꝫ" UA76B # LATIN SMALL LETTER ET
|
||
<Multi_key> <V> <ampersand> <Y> : "Ꝡ" UA760 # LATIN CAPITAL LETTER VY
|
||
<Multi_key> <v> <ampersand> <y> : "ꝡ" UA761 # LATIN SMALL LETTER VY
|
||
<Multi_key> <C> <Z> : "Ꝣ" UA762 # LATIN CAPITAL LETTER VISIGOTHIC Z
|
||
<Multi_key> <c> <z> : "ꝣ" UA763 # LATIN SMALL LETTER VISIGOTHIC Z
|
||
<Multi_key> <L> <ampersand> <L> : "Ỻ" U1EFA # LATIN CAPITAL LETTER MIDDLE-WELSH LL
|
||
<Multi_key> <l> <ampersand> <l> : "ỻ" U1EFB # LATIN SMALL LETTER MIDDLE-WELSH LL
|
||
<Multi_key> <V> <ampersand> <V> : "Ỽ" U1EFC # LATIN CAPITAL LETTER MIDDLE-WELSH V
|
||
<Multi_key> <v> <ampersand> <v> : "ỽ" U1EFD # LATIN SMALL LETTER MIDDLE-WELSH V
|
||
<Multi_key> <d> <ampersand> <b> : "ȸ" U0238 # LATIN SMALL LETTER DB DIGRAPH
|
||
<Multi_key> <q> <ampersand> <p> : "ȹ" U0239 # LATIN SMALL LETTER QP DIGRAPH
|
||
<Multi_key> <w> <y> : "ƿ" U01BF # LATIN LETTER WYNN
|
||
<Multi_key> <W> <Y> : "Ƿ" U01F7 # LATIN CAPITAL LETTER WYNN
|
||
<Multi_key> <O> <U> : "Ȣ" U0222 # LATIN CAPITAL LETTER OU
|
||
<Multi_key> <o> <u> : "ȣ" U0223 # LATIN SMALL LETTER OU
|
||
<Multi_key> <y> <r> : "Ʀ" U01A6 # LATIN LETTER YR
|
||
# <o><r> might almost make more sense, as it's used when r follows [opb].
|
||
# But it conflicts with system ®
|
||
<Multi_key> <r> <o> : "ꝛ" UA75B # LATIN SMALL LETTER R ROTUNDA
|
||
<Multi_key> <r> <0> : "ꝛ" UA75B # LATIN SMALL LETTER R ROTUNDA
|
||
<Multi_key> <0> <r> : "ꝛ" UA75B # LATIN SMALL LETTER R ROTUNDA
|
||
# Alas, <R><O> conflicts with ® anyway.
|
||
<Multi_key> <R> <O> : "Ꝛ" UA75A # LATIN CAPITAL LETTER R ROTUNDA
|
||
# something, anyway.
|
||
<Multi_key> <R> <0> : "Ꝛ" UA75A # LATIN CAPITAL LETTER R ROTUNDA
|
||
<Multi_key> <0> <R> : "Ꝛ" UA75A # LATIN CAPITAL LETTER R ROTUNDA
|
||
<Multi_key> <r> <minus> : "ꭇ" UAB47 # LATIN SMALL LETTER R WITHOUT HANDLE
|
||
<Multi_key> <r> <2> : "ꭈ" UAB48 # LATIN SMALL LETTER DOUBLE R
|
||
<Multi_key> <r> <s> : "ꭋ" UAB4B # LATIN SMALL LETTER SCRIPT R
|
||
# Custom additions: Mathematical symbols
|
||
<Multi_key> <exclam> <equal> : "≠" U2260 # NOT EQUAL TO
|
||
<Multi_key> <slash> <equal> : "≠" U2260 # NOT EQUAL TO
|
||
<Multi_key> <less> <equal> : "≤" U2264 # LESS-THAN OR EQUAL TO
|
||
<Multi_key> <greater> <equal> : "≥" U2265 # GREATER-THAN OR EQUAL TO
|
||
<Multi_key> <exclam> <less> <greater> : "≸" U2278 # NEITHER LESS-THAN NOR GREATER-THAN
|
||
# MUCH is usually enough for me. No need for VERY.
|
||
<Multi_key> <plus> <less> : "≪" U226A # MUCH LESS-THAN
|
||
<Multi_key> <plus> <greater> : "≫" U226B # MUCH GREATER-THAN
|
||
# Damn. That makes this conflict with the standard plus plus -> #
|
||
<Multi_key> <plus> <plus> <less> : "⋘" U22D8 # VERY MUCH LESS-THAN
|
||
<Multi_key> <plus> <plus> <greater> : "⋙" U22D9 # VERY MUCH GREATER-THAN
|
||
<Multi_key> <3> <greater> : "⋙" U22D9 # VERY MUCH GREATER-THAN
|
||
<Multi_key> <3> <less> : "⋘" U22D8 # VERY MUCH LESS-THAN
|
||
<Multi_key> <i> <n> : "∈" U2208 # ELEMENT OF
|
||
<Multi_key> <exclam> <i> <n> : "∉" U2209 # NOT AN ELEMENT OF
|
||
<Multi_key> <U2208> <slash> : "∉" U2209 # NOT AN ELEMENT OF (I have ∈ on my keyboard...)
|
||
<Multi_key> <period> <U2208> : "∊" U220A # SMALL ELEMENT OF
|
||
<Multi_key> <period> <U220B> : "∍" U220D # SMALL CONTAINS AS MEMBER
|
||
# For the above for people without ∈/∋ on their kbds? {♫i/n} and {♫n/i}?
|
||
<Multi_key> <n> <i> : "∋" U220B # CONTAINS AS MEMBER (I hope this doesn't conflict)
|
||
<Multi_key> <slash> <n> <i> : "∌" U220C # DOES NOT CONTAIN AS MEMBER
|
||
# <exclam><n><i> would conflict, with <exclam> <n> for N WITH UNDERDOT, etc.
|
||
<Multi_key> <U220B> <slash> : "∌" U220C # DOES NOT CONTAIN AS MEMBER
|
||
<Multi_key> <asciitilde> <equal> : "≅" U2245 # APPROXIMATELY EQUAL TO (It actually means "congruent"!)
|
||
<Multi_key> <equal> <question> : "≟" U225f # QUESTIONED EQUAL TO
|
||
<Multi_key> <equal> <d> <e> <f> : "≝" U225D # EQUAL TO BY DEFINITION
|
||
<Multi_key> <d> <e> <f> <equal> : "≝" U225D # EQUAL TO BY DEFINITION
|
||
<Multi_key> <equal> <equal> : "≡" U2261 # IDENTICAL TO
|
||
<Multi_key> <colon> <equal> : "≔" U2254 # COLON EQUALS
|
||
<Multi_key> <equal> <colon> : "≕" U2255 # EQUALS COLON
|
||
<Multi_key> <2> <equal> : "⩵" U2A75 # TWO CONSECUTIVE EQUALS SIGNS
|
||
<Multi_key> <equal> <ampersand> <equal> : "⩵" U2A75 # TWO CONSECUTIVE EQUALS SIGNS
|
||
<Multi_key> <3> <equal> : "⩶" U2A76 # THREE CONSECUTIVE EQUALS SIGNS
|
||
# Using <slash> conflicts.
|
||
<Multi_key> <equal> <bar> <equal> : "≢" U2262 # NOT IDENTICAL TO
|
||
# We already have ±
|
||
<Multi_key> <minus> <plus> : "∓" U2213 # MINUS OR PLUS SIGN
|
||
<Multi_key> <s> <q> : "√" U221A # SQUARE ROOT
|
||
# keystrokes might not make the most sense, but you know what they mean...
|
||
<Multi_key> <3> <s> <q> : "∛" U221B # CUBE ROOT
|
||
<Multi_key> <4> <s> <q> : "∜" U221C # FOURTH ROOT
|
||
# “(Note: I had put the backslash in position 5/15. It enabled the
|
||
# ALGOL “and” to be “/\” and the “or” to be “\/”.)” --- Bob Bemer,
|
||
# http://home.ccil.org/~remlaps/www.bobbemer.com/BRACES.HTM, quoting
|
||
# himself in “A view of the history of the ISO character code”, 1972
|
||
<Multi_key> <slash> <backslash> : "∧" U2227 # LOGICAL AND
|
||
<Multi_key> <backslash> <slash> : "∨" U2228 # LOGICAL OR
|
||
<Multi_key> <backslash> <underscore> <slash> : "⊻" U22BB # XOR
|
||
<Multi_key> <minus> <comma> : "¬" U00AC # NOT SIGN
|
||
<Multi_key> <Multi_key> <asterisk> <o> : "∘" U2218 # RING OPERATOR (function composition)
|
||
<Multi_key> <Multi_key> <asterisk> <x> : "⨯" U2A2F # CROSS PRODUCT
|
||
<Multi_key> <Multi_key> <asterisk> <period> : "⋅" U22C5 # DOT OPERATOR (dot product)
|
||
<Multi_key> <Multi_key> <asterisk> <less> <greater> : "⋄" U22C4 # DIAMOND OPERATOR
|
||
<Multi_key> <0> <slash> : "∅" U2205 # EMPTY SET (thanks jsled!)
|
||
<Multi_key> <slash> <0> : "∅" U2205 # EMPTY SET
|
||
# I'm hoping { can work as a set mnemonic
|
||
<Multi_key> <braceleft> <U> : "∪" U222A # UNION
|
||
<Multi_key> <braceleft> <asciicircum> : "∩" U2229 # INTERSECTION
|
||
<Multi_key> <braceleft> <parenleft> : "⊂" U2282 # SUBSET OF
|
||
<Multi_key> <braceleft> <equal> <parenleft> : "⊆" U2286 # SUBSET OF OR EQUAL TO
|
||
<Multi_key> <exclam> <braceleft> <parenleft> : "⊄" U2284 # NOT A SUBSET OF
|
||
<Multi_key> <slash> <braceleft> <parenleft> : "⊄" U2284 # NOT A SUBSET OF
|
||
<Multi_key> <exclam> <braceleft> <parenright> : "⊅" U2285 # NOT A SUPERSET OF
|
||
<Multi_key> <slash> <braceleft> <parenright> : "⊅" U2285 # NOT A SUPERSET OF
|
||
<Multi_key> <braceleft> <parenright> : "⊃" U2283 # SUPERSET OF
|
||
<Multi_key> <braceleft> <equal> <parenright> : "⊇" U2287 # SUPERSET OF OR EQUAL TO
|
||
<Multi_key> <E> <E> : "∃" U2203 # THERE EXISTS
|
||
# We can't use ! E E, because ! E maps to E-WITH-UNDERDOT.
|
||
<Multi_key> <slash> <E> <E> : "∄" U2204 # THERE DOES NOT EXIST
|
||
<Multi_key> <A> <A> : "∀" U2200 # FOR ALL
|
||
<Multi_key> <Multi_key> <Q> <E> <D> : "∎" U220E # END OF PROOF
|
||
<Multi_key> <8> <8> : "∞" U221E # INFINITY
|
||
<Multi_key> <Multi_key> <a> <l> <e> <p> <h> : "ℵ" U2135 # ALEF SYMBOL
|
||
<Multi_key> <Multi_key> <a> <l> <e> <p> <0> : "ℵ₀" # ALEF Null
|
||
<Multi_key> <Multi_key> <a> <l> <e> <p> <1> : "ℵ₁" # ALEF One
|
||
<Multi_key> <Multi_key> <a> <l> <e> <f> : "ℵ" U2135 # ALEF SYMBOL
|
||
<Multi_key> <KP_Multiply> <KP_Multiply> : "∗" U2217 # ASTERISK OPERATOR
|
||
<Multi_key> <parenleft> <plus> <parenright> : "⊕" U2295 # CIRCLED PLUS
|
||
<Multi_key> <parenleft> <minus> <parenright> : "⊖" U2296 # CIRCLED MINUS
|
||
<Multi_key> <parenleft> <x> <x> <parenright> : "⊗" U2297 # CIRCLED TIMES
|
||
<Multi_key> <parenleft> <slash> <parenright> : "⊘" U2298 # CIRCLED DIVISION SLASH
|
||
<Multi_key> <parenleft> <asterisk> <parenright> : "⊛" U229B # CIRCLED ASTERISK OPERATOR
|
||
# )- conflicts with system for }.
|
||
<Multi_key> <parenright> <underscore> : "⟌" U27CC # LONG DIVISION
|
||
<Multi_key> <period> <quotedbl> : "∴" U2234 # THEREFORE
|
||
<Multi_key> <Multi_key> <t> <h> <e> <r> <e> <4> : "∴" U2234 # THEREFORE
|
||
<Multi_key> <quotedbl> <period> : "∵" U2235 # BECAUSE
|
||
<Multi_key> <Multi_key> <b> <e> <c> <a> <u> <s> <e> : "∵" U2235 # BECAUSE
|
||
<Multi_key> <percent> <percent> : "‱" U2031 # PER TEN THOUSAND (basis points)
|
||
<Multi_key> <slash> <u> : "µ" U00B5 # MICRO SIGN
|
||
# Ordinal indicators, for femenine and masculine, used in Romance languages
|
||
<Multi_key> <minus> <a> : "ª" U00AA # FEMININE ORDINAL INDICATOR
|
||
<Multi_key> <minus> <o> : "º" U00BA # MASCULINE ORDINAL INDICATOR
|
||
|
||
# See also U03A3 (Greek capital sigma)
|
||
<Multi_key> <Multi_key> <s> <u> <m> : "∑" U2211 # N-ARY SUMMATION
|
||
# OK, absolutely cannot believe we made it this long without NABLA or INTEGRAL
|
||
# or PARTIAL DIFFERENTIAL
|
||
<Multi_key> <Multi_key> <i> <n> <t> : "∫" U222B # INTEGRAL
|
||
<Multi_key> <Multi_key> <u> <i> <n> <t> : "⨛" U2A1B # UPPER INTEGRAL
|
||
<Multi_key> <Multi_key> <l> <i> <n> <t> : "⨜" U2A1C # LOWER INTEGRAL
|
||
<Multi_key> <Multi_key> <i> <i> <n> <t> : "∬" U222C # DOUBLE INTEGRAL
|
||
<Multi_key> <Multi_key> <i> <i> <i> <n> <t> : "∭" U222D # TRIPLE INTEGRAL
|
||
<Multi_key> <Multi_key> <i> <i> <i> <i> <n> <t> : "⨌" U2A0C # QUADRUPLE INTEGRAL
|
||
<Multi_key> <Multi_key> <o> <i> <n> <t> : "∮" U222E # CONTOUR INTEGRAL
|
||
<Multi_key> <Multi_key> <p> <i> <n> <t> : "⨕" U2A15 # INTEGRAL AROUND A POINT OPERATOR
|
||
<Multi_key> <Multi_key> <c> <P> <i> <n> <t> : "⨓" U2A13 # LINE INTEGRATION WITH SEMICIRCULAR PATH AROUND POLE
|
||
<Multi_key> <Multi_key> <o> <i> <i> <n> <t> : "∯" U222F # SURFACE INTEGRAL
|
||
<Multi_key> <Multi_key> <o> <i> <i> <i> <n> <t> : "∰" U2230 # VOLUME INTEGRAL
|
||
<Multi_key> <Multi_key> <g> <i> <n> <t> : "⨘" U2A18 # GEOMETRIC INTEGRAL
|
||
<Multi_key> <Multi_key> <s> <i> <n> <t> : "⨋" U2A0B # SUM/INTEGRAL
|
||
#Now for some WTF integrals: ⨙ ⨚
|
||
<Multi_key> <Multi_key> <d> <e> <l> : "∇" U2207 # NABLA
|
||
<Multi_key> <Multi_key> <p> <a> <r> <t> : "∂" U2202 # PARTIAL DIFFERENTIAL
|
||
<Multi_key> <asterisk> <period> <period> <d> : "∂" U2202 # PARTIAL DIFFERENTIAL
|
||
<Multi_key> <R> <e> : "ℜ" U211C # BLACK-LETTER CAPITAL R (Real Part)
|
||
<Multi_key> <I> <m> : "ℑ" U2111 # BLACK-LETTER CAPTIAL I (Imaginary Part)
|
||
<Multi_key> <Multi_key> <h> <b> <a> <r> : "ℏ" U210F # PLANCK CONSTANT OVER TWO PI
|
||
<Multi_key> <h> <minus> : "ℏ" U210F # PLANCK CONSTANT OVER TWO PI
|
||
<Multi_key> <h> <p> : "ℎ" U210E # PLANCK CONSTANT
|
||
<Multi_key> <Multi_key> <e> <x> <p> : "ℯ" U212F # SCRIPT SMALL E
|
||
<Multi_key> <e> <1> <0> : "⏨" U23E8 # DECIMAL EXPONENT SYMBOL
|
||
<Multi_key> <w> <p> : "℘" U2118 # SCRIPT CAPITAL P
|
||
# Would we prefer 20D1 COMBINING RIGHT HARPOON ABOVE?
|
||
<Multi_key> <asciicircum> <greater> : "⃗" U20D7 # COMBINING RIGHT ARROW ABOVE (vector)
|
||
<Multi_key> <bar> <C> : "ℂ" U2102 # DOUBLE-STRUCK CAPITAL C (set of complex numbers)
|
||
<Multi_key> <bar> <N> : "ℕ" U2115 # DOUBLE-STRUCK CAPITAL N (natural number)
|
||
<Multi_key> <bar> <P> : "ℙ" U2119 # DOUBLE-STRUCK CAPITAL P
|
||
<Multi_key> <bar> <Q> : "ℚ" U211A # DOUBLE-STRUCK CAPITAL Q (set of rational numbers)
|
||
<Multi_key> <bar> <R> : "ℝ" U211D # DOUBLE-STRUCK CAPITAL R (set of real numbers)
|
||
<Multi_key> <bar> <Z> : "ℤ" U2124 # DOUBLE-STRUCK CAPITAL Z (set of integers)
|
||
<Multi_key> <bar> <H> : "ℍ" U210d # DOUBLE-STRUCK CAPITAL H
|
||
<Multi_key> <bar> <e> : "ⅇ" U2147 # DOUBLE-STRUCK ITALIC SMALL E
|
||
<Multi_key> <bar> <i> : "ⅈ" U2148 # DOUBLE-STRUCK ITALIC SMALL I
|
||
<Multi_key> <bar> <j> : "ⅉ" U2149 # DOUBLE-STRUCK ITALIC SMALL J
|
||
<Multi_key> <bar> <asterisk> <p> : "ℼ" U213C # DOUBLE-STRUCK SMALL PI
|
||
<Multi_key> <bar> <Greek_pi> : "ℼ" U213C # DOUBLE-STRUCK SMALL PI
|
||
<Multi_key> <bar> <asterisk> <P> : "ℿ" U213F # DOUBLE-STRUCK CAPITAL PI
|
||
<Multi_key> <bar> <Greek_PI> : "ℿ" U213F # DOUBLE-STRUCK CAPITAL PI
|
||
<Multi_key> <bar> <asterisk> <S> : "⅀" U2140 # DOUBLE-STRUCK N-ARY SUMMATION
|
||
<Multi_key> <bar> <Greek_SIGMA> : "⅀" U2140 # DOUBLE-STRUCK N-ARY SUMMATION
|
||
<Multi_key> <bar> <colon> : "⦂" U2982 # Z NOTATION TYPE COLON
|
||
# Apparently it is only for historical reasons that this is not unified with
|
||
# ⨟ U+2A1F Z NOTATION SCHEMA COMPOSITION
|
||
<Multi_key> <bar> <semicolon> : "⨾" U2A3E # Z NOTATION RELATIONAL COMPOSITION
|
||
# The *look* double-struck.
|
||
<Multi_key> <bar> <braceleft> : "⦃" U2983 # LEFT WHITE CURLY BRACKET
|
||
<Multi_key> <bar> <braceright> : "⦄" U2984 # RIGHT WHITE CURLY BRACKET
|
||
# ⦅⦆⦇⦈⦉⦊ too?
|
||
# The rest of that block? Some there may be worth it.
|
||
# Ooh. There are lots of nice brackets to consider:
|
||
# ⟅⟆⟨⟩⟪⟫⟬⟭⟮⟯⦑⦒⦓⦔⦕⦖⦗⦘⧼⧽⧘⧙⧚⧛⸢⸣⸤⸥⸨⸩「」『』
|
||
# Others too, of course, but these to start with. Some are likely worthy.
|
||
<Multi_key> <S> <parenleft> : "⟅" U27C5 # LEFT S-SHAPED BAG DELIMITER
|
||
<Multi_key> <S> <parenright> : "⟆" U27C6 # RIGHT S-SHAPED BAG DELIMITER
|
||
<Multi_key> <E> <bracketleft> : "⁅" U2045 # LEFT SQUARE BRACKET WITH QUILL
|
||
<Multi_key> <E> <bracketright> : "⁆" U2046 # RIGHT SQUARE BRACKET WITH QUILL
|
||
# There are a lot of angle brackets (3008/9, 27E8/9, 2329/A). I'm deciding
|
||
# to go with the mathematical brackets from now on, since they seem to be
|
||
# better supported.
|
||
<Multi_key> <less> <parenleft> : "⟨" U27E8 # MATHEMATICAL LEFT ANGLE BRACKET
|
||
<Multi_key> <greater> <parenright>: "⟩" U27E9 # MATHEMATICAL RIGHT ANGLE BRACKET
|
||
<Multi_key> <bar> <bracketleft> : "⟦" U27E6 # MATHEMATICAL LEFT WHITE SQUARE BRACKET
|
||
<Multi_key> <bar> <bracketright>: "⟧" U27E7 # MATHEMATICAL RIGHT WHITE SQUARE BRACKET
|
||
<Multi_key> <2> <less> <parenleft> : "⟪" U27EA # MATHEMATICAL LEFT DOUBLE ANGLE BRACKET
|
||
<Multi_key> <2> <greater> <parenright> : "⟫" U27EB # MATHEMATICAL RIGHT DOUBLE ANGLE BRACKET
|
||
# Keystrokes inconsistent.
|
||
<Multi_key> <bar> <bar> <parenleft> : "⟬" U27EC # MATHEMATICAL LEFT WHITE TORTOISE SHELL BRACKET
|
||
<Multi_key> <bar> <bar> <parenright>: "⟭" U27ED # MATHEMATICAL RIGHT WHITE TORTOISE SHELL BRACKET
|
||
<Multi_key> <underscore> <underscore> <parenleft> : "⟮" U27EE # MATHEMATICAL LEFT FLATTENED PARENTHESIS
|
||
<Multi_key> <underscore> <underscore> <parenright>: "⟯" U27EF # MATHEMATICAL RIGHT FLATTENED PARENTHESIS
|
||
<Multi_key> <parenleft> <bracketleft> : "⦗" U2997 # LEFT BLACK TORTOISE SHELL BRACKET
|
||
<Multi_key> <parenright> <bracketright> : "⦘" U2998 # RIGHT BLACK TORTOISE SHELL BRACKET
|
||
# Do the underlined brackets, ones with ticks, dots, etc?
|
||
<Multi_key> <percent> <parenleft>: "⧘" U29D8 # LEFT WIGGLY FENCE
|
||
<Multi_key> <percent> <parenright>: "⧙" U29D9 # RIGHT WIGGLY FENCE
|
||
<Multi_key> <2> <percent> <parenleft>: "⧚" U29DA # LEFT DOUBLE WIGGLY FENCE
|
||
<Multi_key> <2> <percent> <parenright>: "⧛" U29DB # RIGHT DOUBLE WIGGLY FENCE
|
||
<Multi_key> <parenleft> <ampersand> <parenleft>: "⸨" U2E28 # LEFT DOUBLE PARENTHESIS
|
||
<Multi_key> <parenright> <ampersand> <parenright>: "⸩" U2E29 # RIGHT DOUBLE PARENTHESIS
|
||
<Multi_key> <2> <parenleft>: "⸨" U2E28 # LEFT DOUBLE PARENTHESIS
|
||
<Multi_key> <2> <parenright>: "⸩" U2E29 # RIGHT DOUBLE PARENTHESIS
|
||
<Multi_key> <Z> <parenleft> : "༼" U0F3C # TIBETAN MARK ANG KHANG GYON
|
||
<Multi_key> <Z> <parenright> : "༽" U0F3D # TIBETAN MARK ANG KHANG GYAS
|
||
# I'm thinking shape-mnemonics for these, somehow:
|
||
<Multi_key> <L> <bracketleft> : "⌊" U230A # LEFT FLOOR
|
||
<Multi_key> <L> <bracketright> : "⌋" U230B # RIGHT FLOOR
|
||
<Multi_key> <7> <bracketleft> : "⌈" U2308 # LEFT CEILING
|
||
<Multi_key> <7> <bracketright> : "⌉" U2309 # RIGHT CEILING
|
||
# These are actually quotes, hence the mnemonic.
|
||
<Multi_key> <7> <apostrophe> : "｢" UFF62 # HALFWIDTH LEFT CORNER BRACKET
|
||
<Multi_key> <L> <apostrophe> : "｣" UFF63 # HALFWIDTH RIGHT CORNER BRACKET
|
||
# Why am I using halfwidth though, I wonder? And I'd also like ⌜⌝⌞⌟
|
||
<Multi_key> <7> <quotedbl> : "『" U300E # LEFT WHITE CORNER BRACKET
|
||
<Multi_key> <L> <quotedbl> : "』" U300F # RIGHT WHITE CORNER BRACKET
|
||
# How about these for the "corners"? Confusing with {L[} etc?
|
||
# and don't forget about {L_[} which we have for ⸤
|
||
<Multi_key> <7> <parenleft> : "⌜" U231C # TOP LEFT CORNER
|
||
<Multi_key> <7> <parenright> : "⌝" U231D # TOP RIGHT CORNER
|
||
<Multi_key> <L> <parenleft> : "⌞" U231E # BOTTOM LEFT CORNER
|
||
<Multi_key> <L> <parenright> : "⌟" U231F # BOTTOM RIGHT CORNER
|
||
<Multi_key> <parenleft> <ampersand> <parenright> : "≬" U226C # BETWEEN
|
||
<Multi_key> <l> <l> : "ℓ" U2113 # SCRIPT SMALL L
|
||
<Multi_key> <bracketleft> <bracketleft> : "⊏" U228F # SQUARE IMAGE OF
|
||
<Multi_key> <bracketleft> <equal> : "⊑" U2291 # SQUARE IMAGE OF OR EQUAL TO
|
||
<Multi_key> <bracketleft> <underscore> : "⊑" U2291 # SQUARE IMAGE OF OR EQUAL TO
|
||
<Multi_key> <bracketright> <bracketright>: "⊐" U2290 # SQUARE ORIGINAL OF
|
||
<Multi_key> <bracketright> <equal> : "⊒" U2292 # SQUARE ORIGINAL OF OR EQUAL TO
|
||
<Multi_key> <bracketright> <underscore> : "⊒" U2292 # SQUARE ORIGINAL OF OR EQUAL TO
|
||
# If I did more Haskell, I'd want this more:
|
||
<Multi_key> <underscore> <bar> <underscore>: "⊥" U22A5 # UP TACK (bottom) or should we use U27C2 PERPENDICULAR?
|
||
<Multi_key> <underscore> <exclam> <underscore>: "⊤" U22A4 # DOWN TACK (opposite of False)
|
||
<Multi_key> <underscore> <greater> <underscore>: "⊢" U22A2 # RIGHT TACK
|
||
<Multi_key> <underscore> <less> <underscore>: "⊣" U22A3 # LEFT TACK
|
||
# Handy for UNIX filenames... but XXX conflicts with standard <Multi_key> <slash> <slash> → "\"
|
||
<Multi_key> <slash> <slash> : "⁄" U2044 # FRACTION SLASH
|
||
|
||
# The system file gives us subscript numbers, plus/minus, and parens. But
|
||
# there are letters missing. It would be nice to have at least a few of them.
|
||
|
||
# block U+208x
|
||
<Multi_key> <underscore> <0> : "₀" U2080 # SUBSCRIPT ZERO
|
||
<Multi_key> <underscore> <1> : "₁" U2081 # SUBSCRIPT ONE
|
||
<Multi_key> <underscore> <2> : "₂" U2082 # SUBSCRIPT TWO
|
||
<Multi_key> <underscore> <3> : "₃" U2083 # SUBSCRIPT THREE
|
||
<Multi_key> <underscore> <4> : "₄" U2084 # SUBSCRIPT FOUR
|
||
<Multi_key> <underscore> <5> : "₅" U2085 # SUBSCRIPT FIVE
|
||
<Multi_key> <underscore> <6> : "₆" U2086 # SUBSCRIPT SIX
|
||
<Multi_key> <underscore> <7> : "₇" U2087 # SUBSCRIPT SEVEN
|
||
<Multi_key> <underscore> <8> : "₈" U2088 # SUBSCRIPT EIGHT
|
||
<Multi_key> <underscore> <9> : "₉" U2089 # SUBSCRIPT NONE
|
||
<Multi_key> <underscore> <plus> : "₊" U208A # SUBSCRIPT PLUS
|
||
<Multi_key> <underscore> <minus> : "₋" U208B # SUBSCRIPT MINUS
|
||
<Multi_key> <underscore> <equal> : "₌" U208C # SUBSCRIPT EQUALS SIGN
|
||
<Multi_key> <underscore> <parenleft> : "₍" U208D # SUBSCRIPT LEFT PARENTHESIS
|
||
<Multi_key> <underscore> <parenright> : "₎" U208E # SUBSCRIPT RIGHT PARENTHESIS
|
||
|
||
# block U+209x
|
||
<Multi_key> <underscore> <a> : "ₐ" U2090 # LATIN SUBSCRIPT SMALL LETTER A
|
||
<Multi_key> <underscore> <e> : "ₑ" U2091 # LATIN SUBSCRIPT SMALL LETTER E
|
||
<Multi_key> <underscore> <o> : "ₒ" U2092 # LATIN SUBSCRIPT SMALL LETTER O
|
||
<Multi_key> <underscore> <x> : "ₓ" U2093 # LATIN SUBSCRIPT SMALL LETTER X
|
||
<Multi_key> <underscore> <h> : "ₕ" U2095 # LATIN SUBSCRIPT SMALL LETTER H
|
||
<Multi_key> <underscore> <k> : "ₖ" U2096 # LATIN SUBSCRIPT SMALL LETTER K
|
||
<Multi_key> <underscore> <l> : "ₗ" U2097 # LATIN SUBSCRIPT SMALL LETTER L
|
||
<Multi_key> <underscore> <m> : "ₘ" U2098 # LATIN SUBSCRIPT SMALL LETTER M
|
||
<Multi_key> <underscore> <n> : "ₙ" U2099 # LATIN SUBSCRIPT SMALL LETTER N
|
||
<Multi_key> <underscore> <p> : "ₚ" U209A # LATIN SUBSCRIPT SMALL LETTER P
|
||
<Multi_key> <underscore> <s> : "ₛ" U209B # LATIN SUBSCRIPT SMALL LETTER S
|
||
<Multi_key> <underscore> <t> : "ₜ" U209C # LATIN SUBSCRIPT SMALL LETTER T
|
||
|
||
# subscripts in other blocks
|
||
<Multi_key> <underscore> <i> : "ᵢ" U1D62 # LATIN SUBSCRIPT SMALL LETTER I
|
||
<Multi_key> <underscore> <j> : "ⱼ" U2C7C # LATIN SUBSCRIPT SMALL LETTER J
|
||
<Multi_key> <underscore> <r> : "ᵣ" U1D63 # LATIN SUBSCRIPT SMALL LETTER R
|
||
<Multi_key> <underscore> <u> : "ᵤ" U1D64 # LATIN SUBSCRIPT SMALL LETTER U
|
||
<Multi_key> <underscore> <v> : "ᵥ" U1D65 # LATIN SUBSCRIPT SMALL LETTER V
|
||
<Multi_key> <underscore> <asterisk> <b> : "ᵦ" U1D66 # GREEK SUBSCRIPT SMALL LETTER BETA
|
||
<Multi_key> <underscore> <asterisk> <g> : "ᵧ" U1D67 # GREEK SUBSCRIPT SMALL LETTER GAMMA
|
||
<Multi_key> <underscore> <asterisk> <r> : "ᵨ" U1D68 # GREEK SUBSCRIPT SMALL LETTER RHO
|
||
<Multi_key> <underscore> <asterisk> <f> : "ᵩ" U1D69 # GREEK SUBSCRIPT SMALL LETTER PHI
|
||
<Multi_key> <underscore> <asterisk> <x> : "ᵪ" U1D6A # GREEK SUBSCRIPT SMALL LETTER CHI
|
||
|
||
# Custom additions: Greek letters. Mapping corresponds to Emacs Greek
|
||
# input method. Aristotle Pagaltzis informs me that this is the
|
||
# standard Greek keyboard layout, which is good.
|
||
<Multi_key> <asterisk> <a> : "α" U03B1 # GREEK SMALL LETTER ALPHA
|
||
<Multi_key> <asterisk> <b> : "β" U03B2 # GREEK SMALL LETTER BETA
|
||
<Multi_key> <asterisk> <c> : "ψ" U03C8 # GREEK SMALL LETTER PSI
|
||
<Multi_key> <asterisk> <d> : "δ" U03B4 # GREEK SMALL LETTER DELTA
|
||
<Multi_key> <asterisk> <e> : "ε" U03B5 # GREEK SMALL LETTER EPSILON
|
||
<Multi_key> <asterisk> <f> : "φ" U03C6 # GREEK SMALL LETTER PHI
|
||
<Multi_key> <asterisk> <g> : "γ" U03B3 # GREEK SMALL LETTER GAMMA
|
||
<Multi_key> <asterisk> <h> : "η" U03B7 # GREEK SMALL LETTER ΕΤΑ
|
||
<Multi_key> <asterisk> <i> : "ι" U03B9 # GREEK SMALL LETTER ΙΟΤΑ
|
||
<Multi_key> <asterisk> <j> : "ξ" U03BE # GREEK SMALL LETTER XI
|
||
<Multi_key> <asterisk> <k> : "κ" U03BA # GREEK SMALL LETTER KAPPA
|
||
<Multi_key> <asterisk> <l> : "λ" U03BB # GREEK SMALL LETTER LAMBDA
|
||
<Multi_key> <asterisk> <m> : "μ" U03BC # GREEK SMALL LETTER MU
|
||
<Multi_key> <asterisk> <n> : "ν" U03BD # GREEK SMALL LETTER NU
|
||
<Multi_key> <asterisk> <o> : "ο" U03BF # GREEK SMALL LETTER OMICRON
|
||
<Multi_key> <asterisk> <p> : "π" U03C0 # GREEK SMALL LETTER PI
|
||
# no mapping for q; in Emacs that's ";"
|
||
# U037E GREEK QUESTION MARK is canonically equivalent to U003B SEMICOLON.
|
||
# ... But that won't stop us from doing it anyway!!!
|
||
<Multi_key> <asterisk> <period> <question> : ";" U037E # GREEK QUESTION MARK
|
||
<Multi_key> <asterisk> <r> : "ρ" U03C1 # GREEK SMALL LETTER RHO
|
||
<Multi_key> <asterisk> <s> : "σ" U03C3 # GREEK SMALL LETTER SIGMA
|
||
<Multi_key> <asterisk> <t> : "τ" U03C4 # GREEK SMALL LETTER TAU
|
||
<Multi_key> <asterisk> <u> : "θ" U03B8 # GREEK SMALL LETTER THETA
|
||
<Multi_key> <asterisk> <v> : "ω" U03C9 # GREEK SMALL LETTER OMEGA
|
||
<Multi_key> <asterisk> <w> : "ς" U03C2 # GREEK SMALL LETTER FINAL SIGMA
|
||
<Multi_key> <asterisk> <x> : "χ" U03C7 # GREEK SMALL LETTER CHI
|
||
<Multi_key> <asterisk> <y> : "υ" U03C5 # GREEK SMALL LETTER UPSILON
|
||
<Multi_key> <asterisk> <z> : "ζ" U03B6 # GREEK SMALL LETTER ZETA
|
||
|
||
# Capital greek letters.
|
||
<Multi_key> <asterisk> <A> : "Α" U0391 # GREEK CAPITAL LETTER ALPHA
|
||
<Multi_key> <asterisk> <B> : "Β" U0392 # GREEK CAPITAL LETTER BETA
|
||
<Multi_key> <asterisk> <C> : "Ψ" U03A8 # GREEK CAPITAL LETTER PSI
|
||
<Multi_key> <asterisk> <D> : "Δ" U0394 # GREEK CAPITAL LETTER DELTA
|
||
<Multi_key> <asterisk> <E> : "Ε" U0395 # GREEK CAPITAL LETTER EPSILON
|
||
<Multi_key> <asterisk> <F> : "Φ" U03A6 # GREEK CAPITAL LETTER PHI
|
||
<Multi_key> <asterisk> <G> : "Γ" U0393 # GREEK CAPITAL LETTER GAMMA
|
||
<Multi_key> <asterisk> <H> : "Η" U0397 # GREEK CAPITAL LETTER ΕΤΑ
|
||
<Multi_key> <asterisk> <I> : "Ι" U0399 # GREEK CAPITAL LETTER ΙΟΤΑ
|
||
<Multi_key> <asterisk> <J> : "Ξ" U039E # GREEK CAPITAL LETTER XI
|
||
<Multi_key> <asterisk> <K> : "Κ" U039A # GREEK CAPITAL LETTER KAPPA
|
||
<Multi_key> <asterisk> <L> : "Λ" U039B # GREEK CAPITAL LETTER LAMBDA
|
||
<Multi_key> <asterisk> <M> : "Μ" U039C # GREEK CAPITAL LETTER MU
|
||
<Multi_key> <asterisk> <N> : "Ν" U039D # GREEK CAPITAL LETTER NU
|
||
<Multi_key> <asterisk> <O> : "Ο" U039F # GREEK CAPITAL LETTER OMICRON
|
||
<Multi_key> <asterisk> <P> : "Π" U03A0 # GREEK CAPITAL LETTER PI
|
||
# see below for Q qoppa; in Emacs Q is “:”
|
||
<Multi_key> <asterisk> <R> : "Ρ" U03A1 # GREEK CAPITAL LETTER RHO
|
||
<Multi_key> <asterisk> <S> : "Σ" U03A3 # GREEK CAPITAL LETTER SIGMA
|
||
<Multi_key> <asterisk> <T> : "Τ" U03A4 # GREEK CAPITAL LETTER TAU
|
||
<Multi_key> <asterisk> <U> : "Θ" U0398 # GREEK CAPITAL LETTER THETA
|
||
<Multi_key> <asterisk> <V> : "Ω" U03A9 # GREEK CAPITAL LETTER OMEGA
|
||
# Emacs maps W to "Σ", but I think that’s stupid
|
||
# I think that's from the Greek keyboard.
|
||
<Multi_key> <asterisk> <X> : "Χ" U03A7 # GREEK CAPITAL LETTER CHI
|
||
<Multi_key> <asterisk> <Y> : "Υ" U03A5 # GREEK CAPITAL LETTER UPSILON
|
||
<Multi_key> <asterisk> <Z> : "Ζ" U0396 # GREEK CAPITAL LETTER ZETA
|
||
|
||
# Some archaic Greek. If we only wanted *normal* characters we wouldn't be
|
||
# doing this at all!
|
||
# "period" will indicate a sort of variant of some kind; asterisk is still the "greek" marker
|
||
<Multi_key> <asterisk> <period> <p> : "ϖ" U03D6 # GREEK PI SYMBOL
|
||
# Reserving .f in case we want PHI SYMBOL. Digamma was "w" sound anyway.
|
||
<Multi_key> <asterisk> <period> <w> : "ϝ" U03DD # GREEK SMALL LETTER DIGAMMA
|
||
<Multi_key> <asterisk> <period> <W> : "Ϝ" U03DC # GREEK CAPITAL LETTER DIGAMMA
|
||
<Multi_key> <asterisk> <Q> : "Ϟ" U03DE # GREEK LETTER QOPPA
|
||
<Multi_key> <asterisk> <q> : "ϟ" U03DF # GREEK SMALL LETTER QOPPA
|
||
<Multi_key> <asterisk> <period> <Q> : "Ϙ" U03D8 # GREEK LETTER ARCHAIC QOPPA
|
||
<Multi_key> <asterisk> <period> <q> : "ϙ" U03D9 # GREEK SMALL LETTER ARCHAIC QOPPA
|
||
<Multi_key> <asterisk> <ampersand> : "ϗ" U03D7 # GREEK KAI SYMBOL
|
||
<Multi_key> <asterisk> <period> <Z> : "Ϡ" U03E0 # GREEK LETTER SAMPI
|
||
<Multi_key> <asterisk> <period> <z> : "ϡ" U03E1 # GREEK SMALL LETTER SAMPI
|
||
<Multi_key> <asterisk> <period> <period> <Z> : "Ͳ" U0372 # GREEK CAPITAL LETTER ARCHAIC SAMPI
|
||
<Multi_key> <asterisk> <period> <period> <z> : "ͳ" U0373 # GREEK SMALL LETTER ARCHAIC SAMPI
|
||
# Sorry, couldn't think of better ones for these. Might want .s for SAN.
|
||
<Multi_key> <asterisk> <question> : "Ϛ" U03DA # GREEK LETTER STIGMA
|
||
<Multi_key> <asterisk> <slash> : "ϛ" U03DB # GREEK SMALL LETTER STIGMA
|
||
<Multi_key> <asterisk> <apostrophe> : "ʹ" U02B9 # MODIFIER LETTER PRIME, canonically equivalent to U0374 GREEK NUMERAL SIGN
|
||
# While we're at it...
|
||
<Multi_key> <asterisk> <period> <apostrophe> : "′" U2032 # PRIME
|
||
<Multi_key> <asterisk> <period> <quotedbl> : "″" U2033 # DOUBLE PRIME
|
||
<Multi_key> <asterisk> <comma> : "͵" U0375 # GREEK LOWER NUMERAL SIGN (for thousands)
|
||
# Do we want BETA SYMBOL, RHO SYMBOL, KAPPA SYMBOL, PHI SYMBOL, THETA SYMBOL?
|
||
# The format makes them obvious enough I guess. PI SYMBOL is different enough
|
||
# that there's no question, and it is separate from these.
|
||
<Multi_key> <asterisk> <period> <b> : "ϐ" U03D0 # GREEK BETA SYMBOL
|
||
<Multi_key> <asterisk> <period> <u> : "ϑ" U03D1 # GREEK THETA SYMBOL
|
||
<Multi_key> <asterisk> <period> <Y> : "ϒ" U03D2 # GREEK UPSILON WITH HOOK SYMBOL
|
||
<Multi_key> <asterisk> <period> <f> : "ϕ" U03D5 # GREEK PHI SYMBOL
|
||
<Multi_key> <asterisk> <period> <k> : "ϰ" U03F0 # GREEK KAPPA SYMBOL
|
||
<Multi_key> <asterisk> <period> <r> : "ϱ" U03F1 # GREEK RHO SYMBOL
|
||
<Multi_key> <asterisk> <period> <U> : "ϴ" U03F4 # GREEK CAPITAL THETA SYMBOL
|
||
<Multi_key> <asterisk> <period> <e> : "ϵ" U03F5 # GREEK LUNATE EPSILON SYMBOL
|
||
# Not doing the lunate sigmas and dotted versions thereof... What about SAN, which is at least a letter?
|
||
<Multi_key> <asterisk> <period> <s> : "ϻ" U03FB # GREEK SMALL LETTER SAN
|
||
<Multi_key> <asterisk> <period> <S> : "Ϻ" U03FA # GREEK CAPITAL LETTER SAN
|
||
|
||
# If you wanted to actually type in Greek, you would also need άίέ
|
||
# etc. But you would probably just switch to a Greek keyboard layout.
|
||
|
||
# Custom additions: fractions
|
||
<Multi_key> <1> <3> : "⅓" U2153 # VULGAR FRACTION ONE THIRD
|
||
<Multi_key> <2> <3> : "⅔" U2154 # VULGAR FRACTION TWO THIRDS
|
||
# more extensive fractions from jsled
|
||
<Multi_key> <1> <5> : "⅕" U2155 # VULGAR FRACTION ONE FIFTH
|
||
<Multi_key> <2> <5> : "⅖" U2156 # VULGAR FRACTION TWO FIFTHS
|
||
<Multi_key> <3> <5> : "⅗" U2157 # VULGAR FRACTION THREE FIFTHS
|
||
<Multi_key> <4> <5> : "⅘" U2158 # VULGAR FRACTION FOUR FIFTHS
|
||
<Multi_key> <1> <6> : "⅙" U2159 # VULGAR FRACTION ONE SIXTH
|
||
<Multi_key> <5> <6> : "⅚" U215A # VULGAR FRACTION FIVE SIXTHS
|
||
<Multi_key> <1> <8> : "⅛" U215B # VULGAR FRACTION ONE EIGHTH
|
||
<Multi_key> <3> <8> : "⅜" U215C # VULGAR FRACTION THREE EIGHTHS
|
||
<Multi_key> <5> <8> : "⅝" U215D # VULGAR FRACTION FIVE EIGHTHS
|
||
<Multi_key> <7> <8> : "⅞" U215E # VULGAR FRACTION SEVEN EIGHTHS
|
||
<Multi_key> <1> <7> : "⅐" U2150 # VULGAR FRACTION ONE SEVENTH
|
||
<Multi_key> <1> <9> : "⅑" U2151 # VULGAR FRACTION ONE NINTH
|
||
<Multi_key> <1> <x> : "⅒" U2152 # VULGAR FRACTION ONE TENTH
|
||
<Multi_key> <0> <3> : "↉" U2189 # VULGAR FRACTION ZERO THIRDS
|
||
<Multi_key> <1> <slash> : "⅟" U215F # FRACTION NUMERATOR ONE
|
||
|
||
# How about roman numerals? Percent for numerical mnemonic?
|
||
# Does this go against the spirit of this file? These symbols are accessible
|
||
# as regular letters and would look okay. Maybe only for I-X?
|
||
<Multi_key> <percent> <1> : "ⅰ" U2170 # SMALL ROMAN NUMERAL ONE
|
||
<Multi_key> <percent> <2> : "ⅱ" U2171 # SMALL ROMAN NUMERAL TWO
|
||
<Multi_key> <percent> <3> : "ⅲ" U2172 # SMALL ROMAN NUMERAL THREE
|
||
<Multi_key> <percent> <4> : "ⅳ" U2173 # SMALL ROMAN NUMERAL FOUR
|
||
<Multi_key> <percent> <5> : "ⅴ" U2174 # SMALL ROMAN NUMERAL FIVE
|
||
<Multi_key> <percent> <6> : "ⅵ" U2175 # SMALL ROMAN NUMERAL SIX
|
||
<Multi_key> <percent> <7> : "ⅶ" U2176 # SMALL ROMAN NUMERAL SEVEN
|
||
<Multi_key> <percent> <8> : "ⅷ" U2177 # SMALL ROMAN NUMERAL EIGHT
|
||
<Multi_key> <percent> <9> : "ⅸ" U2178 # SMALL ROMAN NUMERAL NINE
|
||
<Multi_key> <percent> <x> : "ⅹ" U2179 # SMALL ROMAN NUMERAL TEN
|
||
# How do we handle eleven and twelve?
|
||
<Multi_key> <percent> <underscore> <1> : "ⅺ" U217A # SMALL ROMAN NUMERAL ELEVEN
|
||
<Multi_key> <percent> <underscore> <2> : "ⅻ" U217B # SMALL ROMAN NUMERAL TWELVE
|
||
# That okay?
|
||
<Multi_key> <percent> <l> : "ⅼ" U217C # SMALL ROMAN NUMERAL FIFTY
|
||
<Multi_key> <percent> <c> : "ⅽ" U217D # SMALL ROMAN NUMERAL ONE HUNDRED
|
||
<Multi_key> <percent> <d> : "ⅾ" U217E # SMALL ROMAN NUMERAL FIVE HUNDRED
|
||
<Multi_key> <percent> <m> : "ⅿ" U217F # SMALL ROMAN NUMERAL ONE THOUSAND
|
||
###
|
||
<Multi_key> <percent> <0> <1> : "Ⅰ" U2160 # ROMAN NUMERAL ONE
|
||
<Multi_key> <percent> <0> <2> : "Ⅱ" U2161 # ROMAN NUMERAL TWO
|
||
<Multi_key> <percent> <0> <3> : "Ⅲ" U2162 # ROMAN NUMERAL THREE
|
||
<Multi_key> <percent> <0> <4> : "Ⅳ" U2163 # ROMAN NUMERAL FOUR
|
||
<Multi_key> <percent> <0> <5> : "Ⅴ" U2164 # ROMAN NUMERAL FIVE
|
||
<Multi_key> <percent> <0> <6> : "Ⅵ" U2165 # ROMAN NUMERAL SIX
|
||
<Multi_key> <percent> <0> <7> : "Ⅶ" U2166 # ROMAN NUMERAL SEVEN
|
||
<Multi_key> <percent> <0> <8> : "Ⅷ" U2167 # ROMAN NUMERAL EIGHT
|
||
<Multi_key> <percent> <0> <9> : "Ⅸ" U2168 # ROMAN NUMERAL NINE
|
||
<Multi_key> <percent> <0> <x> : "Ⅹ" U2169 # ROMAN NUMERAL TEN
|
||
# How do we handle eleven and twelve?
|
||
<Multi_key> <percent> <underscore> <0> <1> : "Ⅺ" U216A # ROMAN NUMERAL ELEVEN
|
||
<Multi_key> <percent> <underscore> <0> <2> : "Ⅻ" U216B # ROMAN NUMERAL TWELVE
|
||
<Multi_key> <percent> <0> <l> : "Ⅼ" U216C # ROMAN NUMERAL FIFTY
|
||
<Multi_key> <percent> <0> <c> : "Ⅽ" U216D # ROMAN NUMERAL ONE HUNDRED
|
||
<Multi_key> <percent> <0> <d> : "Ⅾ" U216E # ROMAN NUMERAL FIVE HUNDRED
|
||
<Multi_key> <percent> <0> <m> : "Ⅿ" U216F # ROMAN NUMERAL ONE THOUSAND
|
||
<Multi_key> <percent> <X> : "Ⅹ" U2169 # ROMAN NUMERAL TEN
|
||
<Multi_key> <percent> <L> : "Ⅼ" U216C # ROMAN NUMERAL FIFTY
|
||
<Multi_key> <percent> <C> : "Ⅽ" U216D # ROMAN NUMERAL ONE HUNDRED
|
||
<Multi_key> <percent> <less> <C> : "Ↄ" U2183 # ROMAN NUMERAL REVERSED ONE HUNDRED
|
||
<Multi_key> <percent> <D> : "Ⅾ" U216E # ROMAN NUMERAL FIVE HUNDRED
|
||
<Multi_key> <percent> <M> : "Ⅿ" U216F # ROMAN NUMERAL ONE THOUSAND
|
||
<Multi_key> <percent> <0> <C> <D> : "ↀ" U2180 # ROMAN NUMERAL ONE THOUSAND C D
|
||
<Multi_key> <percent> <0> <D> : "ↁ" U2181 # ROMAN NUMERAL FIVE THOUSAND
|
||
<Multi_key> <percent> <0> <M> : "ↂ" U2182 # ROMAN NUMERAL TEN THOUSAND
|
||
<Multi_key> <percent> <0> <0> <D> : "ↇ" U2187 # ROMAN NUMERAL FIFTY THOUSAND
|
||
<Multi_key> <percent> <0> <0> <M> : "ↈ" U2188 # ROMAN NUMERAL ONE HUNDRED THOUSAND
|
||
|
||
|
||
# Custom additions: for chat (kragen)
|
||
<Multi_key> <parenleft> <colon> : "☻" U263B # BLACK SMILING FACE
|
||
<Multi_key> <colon> <parenright> : "☺" U263A # WHITE SMILING FACE
|
||
<Multi_key> <colon> <parenleft> : "☹" U2639 # WHITE FROWNING FACE
|
||
<Multi_key> <colon> <asciitilde> : "⍨" U2368 # APL FUNCTIONAL SYMBOL TILDE DIAERESIS
|
||
<Multi_key> <colon> <bar> : "⸚" U2E1A # HYPHEN WITH DIAERESIS
|
||
<Multi_key> <colon> <o> <o> <parenright> : "°͜°" # Funny smiley-face.
|
||
# Those are archaic cyrilic letters... but look so _perfect_ for use
|
||
# in chat. And about the last, the "multiocular O"... Well, I don't
|
||
# know what it can be used for, but given the description, how could I
|
||
# leave it out‽
|
||
# (I guess using U+1F440 EYES would be more straightforward, but not as funny?)
|
||
<Multi_key> <O> <period> <O> : "Ꙭ" UA66C # CYRILLIC CAPITAL LETTER DOUBLE MONOCULAR O * used in the dual of words based on the root for 'eye'
|
||
<Multi_key> <o> <period> <o> : "ꙭ" UA66D # CYRILLIC SMALL LETTER DOUBLE MONOCULAR O
|
||
<Multi_key> <O> <colon> : "Ꙫ" UA66A # CYRILLIC CAPITAL LETTER BINOCULAR O * used in the dual of words based on the root for 'eye'
|
||
<Multi_key> <o> <colon> : "ꙫ" UA66B # CYRILLIC SMALL LETTER BINOCULAR O
|
||
<Multi_key> <o> <plus> : "ꙮ" UA66E # CYRILLIC LETTER MULTIOCULAR O * used in the epithet 'many-eyed'
|
||
# While we're doing stacks of circles with dots.
|
||
<Multi_key> <o> <3> : "߷" U07F7 # NKO SYMBOL GBAKURUNEN
|
||
<Multi_key> <exclam> <question> : "‽" U203D # INTERROBANG
|
||
<Multi_key> <question> <exclam> : "⸘" U2E18 # INVERTED INTERROBANG, standard now.
|
||
<Multi_key> <questiondown> <exclamdown> : "⸘" U2E18 # INVERTED INTERROBANG (if you have a ¡ key. Otherwise...? "?i" maybe?
|
||
<Multi_key> <exclamdown> <questiondown> : "⸘" U2E18 # INVERTED INTERROBANG (if you have a ¡ key. Otherwise...? "?i" maybe?
|
||
<Multi_key> <question> <less> : "⸮" U2E2E # REVERSED QUESTION MARK
|
||
<Multi_key> <question> <BackSpace> : "⸮" U2E2E # REVERSED QUESTION MARK
|
||
<Multi_key> <question> <ampersand> <question> : "⁇" U2047 # DOUBLE QUESTION MARK
|
||
<Multi_key> <2> <question> : "⁇" U2047 # DOUBLE QUESTION MARK
|
||
<Multi_key> <question> <ampersand> <exclam> : "⁈" U2048 # QUESTION EXCLAMATION MARK
|
||
<Multi_key> <exclam> <ampersand> <question> : "⁉" U2049 # EXCLAMATION QUESTION MARK
|
||
<Multi_key> <exclam> <ampersand> <exclam> : "‼" U203C # DOUBLE EXCLAMATION MARK
|
||
<Multi_key> <2> <exclam> : "‼" U203C # DOUBLE EXCLAMATION MARK
|
||
<Multi_key> <2> <colon> : "∷" U2237 # PROPORTION -- not strictly 2 times COLON
|
||
<Multi_key> <semicolon> <less> : "⁏" U204F # REVERSED SEMICOLON
|
||
<Multi_key> <semicolon> <BackSpace> : "⁏" U204F # REVERSED SEMICOLON
|
||
# Keep looking into big hunks of Latin Extended-D, A720- et seq.
|
||
<Multi_key> <less> <3> : "♥" U2665 # BLACK HEART SUIT
|
||
<Multi_key> <o> <8> : "♣" U2663 # BLACK CLUB SUIT
|
||
<Multi_key> <c> <3> : "♣" U2663 # BLACK CLUB SUIT
|
||
<Multi_key> <less> <greater> : "♢" U2662 # WHITE DIAMOND SUIT
|
||
<Multi_key> <3> <minus> : "♠" U2660 # BLACK SPADE SUIT
|
||
<Multi_key> <less> <braceright> : "♠" U2660 # BLACK SPADE SUIT
|
||
<Multi_key> <E> <greater> : "♡" U2661 # WHITE HEART SUIT
|
||
# "shamrock" is too long; there IS a limit to these!
|
||
<Multi_key> <Multi_key> <s> <h> <m> <r> <c> <k> : "☘" U2618 # SHAMROCK
|
||
<Multi_key> <Multi_key> <s> <h> <a> <m> <r> <o> : "☘" U2618 # SHAMROCK
|
||
<Multi_key> <Multi_key> <p> <c> : "☮" U262E # PEACE SYMBOL
|
||
<Multi_key> <Multi_key> <p> <e> <a> <c> <e> : "☮" U262E # PEACE SYMBOL
|
||
<Multi_key> <Multi_key> <y> <y> : "☯" U262F # YIN YANG
|
||
<Multi_key> <Multi_key> <y> <i> <n> <y> <a> <n> : "☯" U262F # YIN YANG
|
||
# And now that we are into hearts...
|
||
<Multi_key> <Left> <less> <3> : "❥" U2765 # ROTATED HEAVY BLACK HEART BULLET
|
||
<Multi_key> <exclam> <less> <3> : "❣" U2763 # HEAVY HEART EXCLAMATION MARK ORNAMENT
|
||
<Multi_key> <f> <less> <3> : "❦" U2766 # FLORAL HEART
|
||
<Multi_key> <Left> <f> <less> <3> : "❧" U2767 # ROTATED FLORAL HEART BULLET
|
||
<Multi_key> <Right> <f> <less> <3> : "☙" U2619 # REVERSED ROTATED FLORAL HEART BULLET
|
||
<Multi_key> <Multi_key> <t> <e> <l> : "☎" U260E # BLACK TELEPHONE
|
||
<Multi_key> <Multi_key> <t> <e> <a> : "☕" U2615 # HOT BEVERAGE
|
||
# These last two bother me less, though they can still be improved.
|
||
# Other possibly useful symbols:
|
||
# 2668 HOT SPRINGS (for chat, for running off to shower?)
|
||
# I want 2713-2714 and 2717-2718
|
||
# We need a Dingbats prefix, for ❛❜❝❞❢
|
||
<Multi_key> <bracketleft> <space> <bracketright> : "☐" U2610 # BALLOT BOX
|
||
# Better keystrokes anyone? This one breaks the pattern. [c]? [v]? [y]? [/]?
|
||
<Multi_key> <Multi_key> <c> <h> <k> : "☑" U2611 # BALLOT BOX WITH CHECK
|
||
<Multi_key> <bracketleft> <slash> <bracketright> : "☑" U2611 # BALLOT BOX WITH CHECK
|
||
<Multi_key> <bracketleft> <x> <bracketright> : "☒" U2612 # BALLOT BOX WITH X
|
||
# @ for dingbats?
|
||
<Multi_key> <at> <slash> : "✓" U2713 # CHECK MARK
|
||
<Multi_key> <at> <at> <slash> : "✔" U2714 # HEAVY CHECK MARK
|
||
<Multi_key> <at> <X> : "✗" U2717 # BALLOT X
|
||
<Multi_key> <at> <at> <X> : "✘" U2718 # HEAVY BALLOT X
|
||
<Multi_key> <at> <parenleft> : "❨" U2768 # MEDIUM LEFT PARENTHESIS ORNAMENT
|
||
<Multi_key> <at> <parenright> : "❩" U2769 # MEDIUM RIGHT PARENTHESIS ORNAMENT
|
||
<Multi_key> <at> <at> <parenleft> : "❪" U276A # MEDIUM FLATTENED LEFT PARENTHESIS ORNAMENT
|
||
<Multi_key> <at> <at> <parenright> : "❫" U276B # MEDIUM FLATTENED RIGHT PARENTHESIS ORNAMENT
|
||
<Multi_key> <at> <less> : "❬" U276C # MEDIUM LEFT-POINTING ANGLE BRACKET ORNAMENT
|
||
<Multi_key> <at> <greater> : "❭" U276D # MEDIUM RIGHT-POINTING ANGLE BRACKET ORNAMENT
|
||
# U276E&F ❮❯ ? Angle quotation mark ornaments?
|
||
<Multi_key> <at> <at> <less> : "❰" U2770 # HEAVY LEFT-POINTING ANGLE BRACKET ORNAMENT
|
||
<Multi_key> <at> <at> <greater> : "❱" U2771 # HEAVY RIGHT-POINTING ANGLE BRACKET ORNAMENT
|
||
<Multi_key> <at> <bracketleft> <parenleft> : "❲" U2772 # LIGHT LEFT TORTOISE SHELL BRACKET ORNAMENT
|
||
<Multi_key> <at> <bracketright> <parenright> : "❳" U2773 # LIGHT RIGHT TORTOISE SHELL BRACKET ORNAMENT
|
||
<Multi_key> <at> <braceleft> : "❴" U2774 # MEDIUM LEFT CURLY BRACKET ORNAMENT
|
||
<Multi_key> <at> <braceright> : "❵" U2775 # MEDIUM RIGHT CURLY BRACKET ORNAMENT
|
||
# Will I want <at> <at> for something else?
|
||
# Now there is such a thing as text style and emoji style. Use the
|
||
# "dingbat prefix" in an unusual way:
|
||
<Multi_key> <at> <Multi_key> : "️" UFE0F # Emoji selector
|
||
<Multi_key> <exclam> <Multi_key> : "︎" UFE0E # Text selector
|
||
# How about dice?
|
||
<Multi_key> <bracketleft> <1> <bracketright> : "⚀" U2680 # DIE FACE-1
|
||
<Multi_key> <bracketleft> <2> <bracketright> : "⚁" U2681 # DIE FACE-2
|
||
<Multi_key> <bracketleft> <3> <bracketright> : "⚂" U2682 # DIE FACE-3
|
||
<Multi_key> <bracketleft> <4> <bracketright> : "⚃" U2683 # DIE FACE-4
|
||
<Multi_key> <bracketleft> <5> <bracketright> : "⚄" U2684 # DIE FACE-5
|
||
<Multi_key> <bracketleft> <6> <bracketright> : "⚅" U2685 # DIE FACE-6
|
||
# 267B BLACK UNIVERSAL RECYCLING SYMBOL
|
||
|
||
<Multi_key> <parenleft> <C> <C> <parenright> : "🅭" U1F16D # CIRCLED CC
|
||
<Multi_key> <C> <parenleft> <C> <C> <parenright> : "🅭" U1F16D # CIRCLED CC
|
||
<Multi_key> <parenleft> <backslash> <C> <parenright> : "🅮" U1F16E # CIRCLED C WITH OVERLAID BACKSLASH
|
||
<Multi_key> <parenleft> <slash> <C> <parenright> : "🅮" U1F16E # CIRCLED C WITH OVERLAID BACKSLASH
|
||
<Multi_key> <C> <parenleft> <backslash> <C> <parenright> : "🅮" U1F16E # CIRCLED C WITH OVERLAID BACKSLASH
|
||
<Multi_key> <C> <parenleft> <slash> <C> <parenright> : "🅮" U1F16E # CIRCLED C WITH OVERLAID BACKSLASH
|
||
<Multi_key> <C> <parenleft> <B> <Y> <parenright> : "🅯" U1F16F # CIRCLED HUMAN FIGURE
|
||
<Multi_key> <C> <parenleft> <S> <A> <parenright> : "🄎" U1F10E # CIRCLED ANTICLOCKWISE ARROW
|
||
## ugh, this doesn't (usually) match the style of the others. They're practically emoji; ⊜ is a math symbol.
|
||
<Multi_key> <C> <parenleft> <N> <D> <parenright> : "⊜" U229C # CIRCLED EQUALS
|
||
<Multi_key> <C> <parenleft> <equal> <parenright> : "⊜" U229C # CIRCLED EQUALS
|
||
<Multi_key> <C> <parenleft> <N> <C> <parenright> : "🄏" U1F10F # CIRCLED DOLLAR SIGN WITH OVERLAID BACKSLASH
|
||
<Multi_key> <C> <parenleft> <slash> <dollar> <parenright> : "🄏" U1F10F # CIRCLED DOLLAR SIGN WITH OVERLAID BACKSLASH
|
||
<Multi_key> <C> <parenleft> <backslash> <dollar> <parenright> : "🄏" U1F10F # CIRCLED DOLLAR SIGN WITH OVERLAID BACKSLASH
|
||
## Not actually Creative Commons, but related. Too many options?
|
||
<Multi_key> <parenleft> <C> <Left> <parenright> : "🄯" U1F12F # COPYLEFT SYMBOL
|
||
<Multi_key> <parenleft> <C> <less> <parenright> : "🄯" U1F12F # COPYLEFT SYMBOL
|
||
<Multi_key> <C> <parenleft> <C> <Left> <parenright> : "🄯" U1F12F # COPYLEFT SYMBOL
|
||
<Multi_key> <C> <parenleft> <C> <less> <parenright> : "🄯" U1F12F # COPYLEFT SYMBOL
|
||
|
||
## Segmented digits?
|
||
<Multi_key> <numbersign> <0> : "🯰" U1FBF0 # SEGMENTED DIGIT ZERO
|
||
<Multi_key> <numbersign> <1> : "🯱" U1FBF1 # SEGMENTED DIGIT ONE
|
||
<Multi_key> <numbersign> <2> : "🯲" U1FBF2 # SEGMENTED DIGIT TWO
|
||
<Multi_key> <numbersign> <3> : "🯳" U1FBF3 # SEGMENTED DIGIT THREE
|
||
<Multi_key> <numbersign> <4> : "🯴" U1FBF4 # SEGMENTED DIGIT FOUR
|
||
<Multi_key> <numbersign> <5> : "🯵" U1FBF5 # SEGMENTED DIGIT FIVE
|
||
<Multi_key> <numbersign> <6> : "🯶" U1FBF6 # SEGMENTED DIGIT SIX
|
||
<Multi_key> <numbersign> <7> : "🯷" U1FBF7 # SEGMENTED DIGIT SEVEN
|
||
<Multi_key> <numbersign> <8> : "🯸" U1FBF8 # SEGMENTED DIGIT EIGHT
|
||
<Multi_key> <numbersign> <9> : "🯹" U1FBF9 # SEGMENTED DIGIT NINE
|
||
|
||
# Keystrokes okay?
|
||
<Multi_key> <Multi_key> <f> <d> <l> : "⚜" U269C # FLEUR-DE-LIS
|
||
<Multi_key> <Multi_key> <a> <t> <o> <m> : "⚛" U269B # ATOM SYMBOL
|
||
<Multi_key> <Multi_key> <c> <c> <c> <p> : "☭" U262D # HAMMER AND SICKLE
|
||
<Multi_key> <slash> <exclam> <backslash> : "⚠" U26A0 # WARNING SIGN
|
||
<Multi_key> <exclam> <asciicircum> : "⚠" U26A0 # WARNING SIGN
|
||
<Multi_key> <Multi_key> <z> <a> <p> : "⚡" U26A1 # HIGH VOLTAGE SIGN
|
||
# Shouldn't use just <r><a> because it's too likely to be a prefix for
|
||
# a useful word.
|
||
<Multi_key> <Multi_key> <r> <a> <d> : "☢" U2622 # RADIOACTIVE SIGN
|
||
<Multi_key> <Multi_key> <b> <h> : "☣" U2623 # BIOHAZARD SIGN
|
||
<Multi_key> <Multi_key> <b> <i> <o> <h> <a> <z> : "☣" U2623 # BIOHAZARD SIGN
|
||
# Changing this from ⚝
|
||
<Multi_key> <Multi_key> <A> <A> <A> <A> <A> : "⛤" U26E4 # PENTAGRAM (pentalpha, get it?)
|
||
<Multi_key> <Multi_key> <p> <l> <a> <n> <e> : "✈" U2708 # AIRPLANE
|
||
<Multi_key> <Multi_key> <m> <a> <i> <l> : "✉" U2709 # ENVELOPE
|
||
<Multi_key> <Multi_key> <w> <h> <l> <c> <h> : "♿" U267F # WHEELCHAIR SYMBOL
|
||
<Multi_key> <Multi_key> <m> <e> <d> : "☤" U2624 # CADEUCEUS
|
||
## Don't usually do sequences, but exception made for the
|
||
## "eyewitness" compound emoji sequence:
|
||
<Multi_key> <Multi_key> <i> <w> <i> <t> : "👁️🗨️"
|
||
# Something different for STAFF OF AESCULAPIUS?
|
||
<Multi_key> <Multi_key> <1> <m> <e> <d> : "⚕" U2695 # STAFF OF AESCULAPIUS
|
||
# 26B0 COFFIN ?
|
||
# One of the SNOWFLAKEs?
|
||
# SNOWMAN? COMET? ANCHOR?
|
||
# Maybe if we go with having a "word" symbol and spelling out lots and
|
||
# lots of whole words, we can have all the planets.
|
||
#
|
||
# I already have STAR OF DAVID on another map.
|
||
# 231A, 231B -- WATCH and HOURGLASS -- one should be &-w-a-i-t
|
||
# 23D4 METRICAL LONG OVER TWO SHORTS a.k.a. METRICAL BOOBS
|
||
# 0950 DEVANAGARI OM?
|
||
# 212E ESTIMATED SYMBOL?
|
||
# 2324 UP ARROWHEAD BETWEEN TWO HORIZONTAL BARS a.k.a. NOT AMUSED
|
||
# 237E BELL SYMBOL a.k.a. ALIENS LANDING
|
||
|
||
<Multi_key> <o> <minus> <plus> : "♀" U2640 # FEMALE SIGN
|
||
<Multi_key> <o> <minus> <greater> : "♂" U2642 # MALE SIGN
|
||
|
||
<Multi_key> <Multi_key> <g> <a> <y> : "⚣" U26A3 # DOUBLED MALE SIGN
|
||
<Multi_key> <Multi_key> <l> <e> <s> <b> <i> <a> <n> : "⚢" U26A2 # DOUBLED FEMALE SIGN
|
||
<Multi_key> <Multi_key> <h> <e> <t> <e> <r> <o> : "⚤" U26A4 # INTERLOCKED FEMALE AND MALE SIGN
|
||
|
||
# 'trans': short for transgender/transexual
|
||
# 'genderq': short for genderqueer.
|
||
# Wasn't sure which to call which symbol, and wanted to include both
|
||
<Multi_key> <Multi_key> <t> <r> <a> <n> <s> : "⚥" U26A5 # MALE AND FEMALE SIGN
|
||
<Multi_key> <Multi_key> <g> <e> <n> <d> <e> <r> <q> : "⚧" U26A7 # MALE WITH STROKE AND MALE AND FEMALE SIGN
|
||
|
||
|
||
<Multi_key> <O> <X>: "☠" U2620 # SKULL AND CROSSBONES
|
||
<Multi_key> <Multi_key> <d> <e> <a> <t> <h>: "☠" U2620 # SKULL AND CROSSBONES
|
||
<Multi_key> <Multi_key> <X> <b> <o> <n> <e> <s>: "☠" U2620 # SKULL AND CROSSBONES
|
||
<Multi_key> <Multi_key> <k> <b> <d> : "⌨" U2328 # KEYBOARD
|
||
<Multi_key> <Multi_key> <g> <n> <d> : "⏚" U23DA # EARTH GROUND
|
||
<Multi_key> <Multi_key> <r> <h> <a> <n> <d> : "☞" U261E # WHITE RIGHT POINTING INDEX
|
||
<Multi_key> <Multi_key> <l> <h> <a> <n> <d> : "☜" U261C # WHITE LEFT POINTING INDEX
|
||
<Multi_key> <asterisk> <asterisk> :"★" U2605 # BLACK STAR
|
||
<Multi_key> <asterisk> <0> :"☆" U2606 # WHITE STAR
|
||
<Multi_key> <asterisk> <minus> :"✪" U272A # CIRCLED WHITE STAR
|
||
## Did not have great luck with keystrokes for these. L/ conflicts with ł,
|
||
## and </ conflicts with \. */ of course is ϛ.
|
||
<Multi_key> <Left> <slash> <2> <asterisk> : "⯨" U2BE8 # LEFT HALF BLACK STAR
|
||
<Multi_key> <Right> <slash> <2> <asterisk> : "⯩" U2BE9 # RIGHT HALF BLACK STAR
|
||
<Multi_key> <asterisk> <Left> <slash> <2> <asterisk> : "⯪" U2BEA # STAR WITH LEFT HALF BLACK
|
||
<Multi_key> <asterisk> <Right> <slash> <2> <asterisk> : "⯫" U2BEB # STAR WITH RIGHT HALF BLACK
|
||
<Multi_key> <asterisk> <3> :"⁂" U2042 # ASTERISM
|
||
<Multi_key> <3> <asterisk> :"⁂" U2042 # ASTERISM
|
||
<Multi_key> <2> <asterisk> :"⁑" U2051 # TWO ASTERISKS ALIGNED VERTICALLY
|
||
<Multi_key> <asterisk> <4> :"✢" U2722 # FOUR TEARDROP-SPOKED ASTERISK
|
||
<Multi_key> <asterisk> <6> :"✡" U2721 # STAR OF DAVID
|
||
<Multi_key> <asterisk> <numbersign> :"✯" U272F # PINWHEEL STAR
|
||
<Multi_key> <asterisk> <exclam> :"✱" U2731 # HEAVY ASTERISK
|
||
<Multi_key> <less> <X> <greater> : "❖" U2756 # BLACK DIAMOND MINUS WHITE X
|
||
<Multi_key> <at> <numbersign> : "⌘" U2318 # PLACE OF INTEREST SIGN
|
||
# Using backslash-minus-slash etc. conflicts with combining accents.
|
||
<Multi_key> <grave> <minus> <apostrophe> : "⚞" U269E # THREE LINES CONVERGING RIGHT
|
||
<Multi_key> <apostrophe> <minus> <grave> : "⚟" U269F # THREE LINES CONVERGING LEFT
|
||
<Multi_key> <Multi_key> <B> <e> <l> <l> <s> <y> <m> : "⍾" U237E # BELL SYMBOL (or ALIENS LANDING) -- &-a-l-i-e-n ?
|
||
# Other monstery characters... ѪꙚ (alien abductions?)
|
||
# ඏൠഋ & others from Kannada et al...?
|
||
# Can't use -^- for this; conflicts with -^ for ↑, and getting those arrows
|
||
# workable was complicated enough. How about this?
|
||
<Multi_key> <underscore> <asciicircum> <underscore> : "⌤" U2324 # UP ARROWHEAD BETWEEN TWO HORIZONTAL BARS; aka ENTER KEY, aka NOT AMUSED.
|
||
<Multi_key> <space> <N> : " " U2002 # EN SPACE
|
||
<Multi_key> <space> <M> : " " U2003 # EM SPACE
|
||
<Multi_key> <space> <3> <M> : " " U2004 # THREE-PER-EM SPACE
|
||
<Multi_key> <space> <4> <M> : " " U2005 # FOUR-PER-EM SPACE
|
||
<Multi_key> <space> <6> <M> : " " U2006 # SIX-PER-EM SPACE
|
||
<Multi_key> <space> <comma> : " " U2008 # PUNCTUATION SPACE
|
||
<Multi_key> <space> <plus> : " " U205F # MEDIUM MATHEMATICAL SPACE
|
||
<Multi_key> <parenleft> <parenright>: "◌" U25CC # DOTTED CIRCLE
|
||
<Multi_key> <bracketleft> <bracketright>: "⬚" U2B1A # DOTTED SQUARE
|
||
<Multi_key> <asterisk> <parenleft> : "﴾" UFD3E # ORNATE LEFT PARENTHESIS
|
||
<Multi_key> <asterisk> <parenright> : "﴿" UFD3F # ORNATE RIGHT PARENTHESIS
|
||
<Multi_key> <k> <s> : "ʘ" U0298 # LATIN LETTER BILABIAL CLICK (kiss sound)
|
||
<Multi_key> <bar> <greater> : "‣" U2023 # TRIANGULAR BULLET
|
||
#SUPERSCRIPTS:
|
||
#To avoid namespace clashes, <asciicircum> is doubled (will I regret that?)
|
||
<Multi_key> <asciicircum> <asciicircum> <h> : "ʰ" U02B0 # SUPERSCRIPT H
|
||
<Multi_key> <asciicircum> <asciicircum> <i> : "ⁱ" U2071 # SUPERSCRIPT I
|
||
<Multi_key> <asciicircum> <asciicircum> <j> : "ʲ" U02B2 # SUPERSCRIPT J
|
||
<Multi_key> <asciicircum> <asciicircum> <n> : "ⁿ" U207F # SUPERSCRIPT N
|
||
<Multi_key> <asciicircum> <asciicircum> <r> : "ʳ" U02B3 # SUPERSCRIPT R
|
||
<Multi_key> <asciicircum> <asciicircum> <w> : "ʷ" U02B7 # SUPERSCRIPT W
|
||
<Multi_key> <asciicircum> <asciicircum> <y> : "ʸ" U02B8 # SUPERSCRIPT Y
|
||
# How could I have gone so long without being able to type "10ˣ" for "thanks"?
|
||
<Multi_key> <asciicircum> <asciicircum> <x> : "ˣ" U02E3 # SUPERSCRIPT X
|
||
# So I can use yᵗ/þᵗ and yᵉ/þᵉ
|
||
<Multi_key> <asciicircum> <asciicircum> <e> : "ᵉ" U1D49 # MODIFIER LETTER SMALL E
|
||
<Multi_key> <asciicircum> <asciicircum> <t> : "ᵗ" U1D57 # MODIFIER LETTER SMALL T
|
||
# Abbreviation for "that":
|
||
<Multi_key> <U00FE> <t> : "ꝥ" UA765 # LATIN SMALL LETTER THORN WITH STROKE
|
||
#Maybe add: ˃˂ Need to be able to talk about ʔˁ...
|
||
<Multi_key> <asciicircum> <question> <period> : "ˀ" U02C0 # MODIFIER LETTER GLOTTAL STOP
|
||
<Multi_key> <asciicircum> <question> <parenleft> : "ˁ" U02C1 # MODIFIER LETTER REVERSED GLOTTAL STOP
|
||
<Multi_key> <asciicircum> <minus> : "⁻" U207B # SUPERSCRIPT MINUS
|
||
<Multi_key> <asciicircum> <plus> : "⁺" U207A # SUPERSCRIPT PLUS
|
||
|
||
<Multi_key> <asciitilde> <asciitilde> : "≈" U2248 # ALMOST EQUAL TO
|
||
|
||
## The system XCompose gives me lots of precomposed chars, but is
|
||
## missing ones with macrons, and I want 'em
|
||
<Multi_key> <equal> <A> : "Ā" U0100 # LATIN CAPITAL LETTER A WITH MACRON
|
||
<Multi_key> <equal> <a> : "ā" U0101 # LATIN SMALL LETTER A WITH MACRON
|
||
<Multi_key> <equal> <E> : "Ē" U0112 # LATIN CAPITAL LETTER E WITH MACRON
|
||
<Multi_key> <equal> <e> : "ē" U0113 # LATIN SMALL LETTER E WITH MACRON
|
||
<Multi_key> <equal> <I> : "Ī" U012A # LATIN CAPITAL LETTER I WITH MACRON
|
||
<Multi_key> <equal> <i> : "ī" U012B # LATIN SMALL LETTER I WITH MACRON
|
||
<Multi_key> <equal> <O> : "Ō" U014C # LATIN CAPITAL LETTER O WITH MACRON
|
||
<Multi_key> <equal> <o> : "ō" U014D # LATIN SMALL LETTER O WITH MACRON
|
||
<Multi_key> <equal> <U> : "Ū" U016A # LATIN CAPITAL LETTER U WITH MACRON
|
||
<Multi_key> <equal> <u> : "ū" U016B # LATIN SMALL LETTER U WITH MACRON
|
||
|
||
<Multi_key> <s> <h> : "ʃ" U0283 # LATIN SMALL LETTER ESH
|
||
<Multi_key> <z> <h> : "ʒ" U0292 # LATIN SMALL LETTER EZH
|
||
<Multi_key> <l> <h> : "ɬ" U026C # LATIN SMALL LETTER L WITH BELT
|
||
<Multi_key> <l> <3> : "ɮ" U026E # LATIN SMALL LETTER LEZH
|
||
<Multi_key> <y> <g> : "ȝ" U021D # LATIN SMALL LETTER YOGH
|
||
<Multi_key> <Y> <G> : "Ȝ" U021C # LATIN CAPITAL LETTER YOGH
|
||
<Multi_key> <question> <period> : "ʔ" U0294 # LATIN LETTER GLOTTAL STOP
|
||
<Multi_key> <question> <parenleft> : "ʕ" U0295 # LATIN LETTER PHARYNGEAL VOICED FRICATIVE
|
||
# Not great keystrokes...
|
||
<Multi_key> <question> <v> : "ʖ" U0296 # LATIN LETTER INVERTED GLOTTAL STOP
|
||
<Multi_key> <question> <at> : "ʖ" U0296 # LATIN LETTER INVERTED GLOTTAL STOP
|
||
<Multi_key> <question> <minus> : "ʡ" U02A1 # LATIN LETTER GLOTTAL STOP WITH STROKE
|
||
<Multi_key> <question> <braceleft> : "ʢ" U02A2 # LATIN LETTER REVERSED GLOTTAL STOP WITH STROKE
|
||
# How about ɸ? φ isn’t the IPA glyph.
|
||
<Multi_key> <p> <h> : "ɸ" U0278 # LATIN SMALL LETTER PHI
|
||
<Multi_key> <i> <h> : "ɪ" U026A # LATIN LETTER SMALL CAPITAL I
|
||
<Multi_key> <I> <H> : "ɪ" U026A # LATIN LETTER SMALL CAPITAL I
|
||
<Multi_key> <u> <h> : "ʊ" U028A # LATIN SMALL LETTER UPSILON
|
||
<Multi_key> <U> <H> : "ʊ" U028A # LATIN SMALL LETTER UPSILON
|
||
<Multi_key> <a> <h> : "ɑ" U0251 # LATIN SMALL LETTER ALPHA
|
||
<Multi_key> <e> <r> : "ɚ" U025A # LATIN SMALL LETTER SCHWA WITH HOOK
|
||
<Multi_key> <o> <parenright> :"ɔ" U0254 # LATIN SMALL LETTER OPEN O
|
||
<Multi_key> <a> <w> : "ɔ" U0254 # LATIN SMALL LETTER OPEN O
|
||
<Multi_key> <O> <parenright> :"Ɔ" U0186 # LATIN CAPITAL LETTER OPEN O
|
||
<Multi_key> <A> <W> : "Ɔ" U0186 # LATIN CAPITAL LETTER OPEN O
|
||
<Multi_key> <e> <h> : "ɛ" U025B # LATIN SMALL LETTER OPEN E
|
||
# Have to put the <less> at the beginning for these.
|
||
<Multi_key> <less> <a> <h> : "ɒ" U0252 # LATIN SMALL LETTER TURNED ALPHA
|
||
<Multi_key> <BackSpace> <a> <h> : "ɒ" U0252 # LATIN SMALL LETTER TURNED ALPHA
|
||
<Multi_key> <less> <e> <h> : "ɜ" U025C # LATIN SMALL LETTER REVERSED OPEN E
|
||
<Multi_key> <BackSpace> <e> <h> : "ɜ" U025C # LATIN SMALL LETTER REVERSED OPEN E
|
||
<Multi_key> <less> <e> <r> : "ɝ" U025D # LATIN SMALL LETTER REVERSED OPEN E WITH HOOK
|
||
<Multi_key> <BackSpace> <e> <r> : "ɝ" U025D # LATIN SMALL LETTER REVERSED OPEN E WITH HOOK
|
||
# It's spelled "gy" in Hungarian...
|
||
<Multi_key> <g> <y> : "ɟ" U025F # LATIN SMALL LETTER DOTLESS J WITH STROKE
|
||
# How are these keystrokes?
|
||
<Multi_key> <bar> <apostrophe> : "ˈ" U02C8 # MODIFIER LETTER VERTICAL LINE
|
||
<Multi_key> <bar> <comma> : "ˌ" U02CC # MODIFIER LETTER LOW VERTICAL LINE
|
||
<Multi_key> <bar> <underscore> : "̩" U0329 # COMBINING VERTICAL LINE BELOW
|
||
# Harmonize with other combiners.
|
||
<Multi_key> <backslash> <underscore> <bar> : "̩" U0329 # COMBINING VERTICAL LINE BELOW
|
||
<Multi_key> <r> <r> : "ɹ" U0279 # LATIN SMALL LETTER TURNED R: voiced alveolar approximant (American English (at least) R)
|
||
<Multi_key> <r> <d> : "ɾ" U027E # LATIN SMALL LETTER R WITH FISHHOOK: voiced alveolar flap or tap (American English intervocalic allophone of d, or Spanish r)
|
||
<Multi_key> <v> <v> : "ʌ" U028C # LATIN SMALL LETTER TURNED V
|
||
<Multi_key> <u> <i> : "ɯ" U026F # LATIN SMALL LETTER TURNED M
|
||
# doubling a letter seems to be mostly used for turning
|
||
<Multi_key> <w> <w> : "ʍ" U028D # LATIN SMALL LETTER TURNED W
|
||
<Multi_key> <y> <y> : "ʎ" U028E # LATIN SMALL LETTER TURNED Y
|
||
<Multi_key> <a> <a> : "ɐ" U0250 # LATIN SMALL LETTER TURNED A
|
||
<Multi_key> <h> <h> : "ɥ" U0265 # LATIN SMALL LETTER TURNED H
|
||
# ı is already available in the "standard" .XCompose
|
||
<Multi_key> <j> <period> : "ȷ" U0237 # LATIN SMALL LETTER DOTLESS J
|
||
<Multi_key> <exclam> <period> : "Ꞌ" UA78B # LATIN CAPITAL LETTER SALTILLO
|
||
<Multi_key> <exclam> <underscore> <period> : "ꞌ" UA78C # LATIN SMALL LETTER SALTILLO
|
||
# I'll use capitals for a different double
|
||
<Multi_key> <W> <W> : "ʬ" U02AC # LATIN LETTER BILABIAL PERCUSSIVE
|
||
# Also handy for writing urls: http://ʬw.omniglot.com/
|
||
# Sorry, I miss having this and hate having to use colon instead:
|
||
<Multi_key> <colon> <plus> : "ː" U02D0 # MODIFIER LETTER TRIANGULAR COLON
|
||
# ɣ? ᴥ? Important enough to add? ᴥ is cool just as a "latin" letter.
|
||
<Multi_key> <g> <h> : "ɣ" U0263 # LATIN SMALL LETTER GAMMA
|
||
# It looks like a ɣ and makes an "o" sorta sound:
|
||
<Multi_key> <o> <g> <h> : "ɤ" U0264 # LATIN SMALL LETTER RAMS HORN
|
||
<Multi_key> <a> <i> <n> : "ᴥ" U1D25 # LATIN LETTER AIN
|
||
# Sometimes it's a "tail", sometimes a "hook", and sometimes a "retroflex hook"
|
||
<Multi_key> <d> <comma> : "ɖ" U0256 # LATIN SMALL LETTER D WITH TAIL
|
||
<Multi_key> <l> <comma> : "ɭ" U026D # LATIN SMALL LETTER L WITH RETROFLEX HOOK
|
||
<Multi_key> <n> <comma> : "ɳ" U0273 # LATIN SMALL LETTER N WITH RETROFLEX HOOK
|
||
<Multi_key> <s> <comma> : "ʂ" U0282 # LATIN SMALL LETTER S WITH HOOK
|
||
<Multi_key> <t> <comma> : "ʈ" U0288 # LATIN SMALL LETTER T WITH RETROFLEX HOOK
|
||
<Multi_key> <z> <comma> : "ʐ" U0290 # LATIN SMALL LETTER Z WITH RETROFLEX HOOK
|
||
# This is used for functions, folders, etc. Yeah, the hook's facing wrong.
|
||
<Multi_key> <f> <comma> : "ƒ" U0192 # LATIN SMALL LETTER F WITH HOOK
|
||
# Sigh, might as well do implosives. Which is also sometimes a hook.
|
||
<Multi_key> <b> <apostrophe> : "ɓ" U0253 # LATIN SMALL LETTER B WITH HOOK
|
||
<Multi_key> <d> <apostrophe> : "ɗ" U0257 # LATIN SMALL LETTER D WITH HOOK
|
||
<Multi_key> <g> <apostrophe> : "ɠ" U0260 # LATIN SMALL LETTER G WITH HOOK
|
||
<Multi_key> <g> <g> : "ɡ" U0261 # LATIN SMALL LETTER SCRIPT G
|
||
# The h looks the same...
|
||
<Multi_key> <h> <apostrophe> : "ɦ" U0266 # LATIN SMALL LETTER H WITH HOOK
|
||
<Multi_key> <G> <apostrophe> : "ʛ" U029B # LATIN LETTER SMALL CAPITAL G WITH HOOK
|
||
<Multi_key> <N> <o> : "№" U2116 # NUMERO SIGN
|
||
<Multi_key> <R> <x> : "℞" U211E # PRESCRIPTION TAKE
|
||
<Multi_key> <P> <e> <r> : "⅌" U214C # PER SIGN
|
||
<Multi_key> <o> <z> <period> : "℥" U2125 # OUNCE SIGN
|
||
<Multi_key> <s> <c> <r> <period> : "℈" U2108 # SCRUPLE
|
||
# There are all kinds of awesome combining characters in the U+0300 page.
|
||
# There are a bunch of other awesome combining characters like U+20E0
|
||
<Multi_key> <asterisk> <period> <period> <period> : "๛" U0E5B # THAI CHARACTER KHOMUT (end of chapter)
|
||
#
|
||
# Music stuff. # is the music mnemonic.
|
||
<Multi_key> <numbersign> <b> : "♭" U266d # MUSIC FLAT SIGN
|
||
<Multi_key> <numbersign> <f> : "♮" U266e # MUSIC NATURAL SIGN
|
||
<Multi_key> <numbersign> <equal> : "♮" U266e # MUSIC NATURAL SIGN
|
||
<Multi_key> <numbersign> <numbersign> : "♯" U266f # MUSIC SHARP SIGN
|
||
<Multi_key> <numbersign> <G> : "𝄞" U0001d11e # MUSICAL SYMBOL G CLEF
|
||
<Multi_key> <numbersign> <F> : "𝄢" U0001d122 # MUSICAL SYMBOL F CLEF
|
||
<Multi_key> <numbersign> <C> : "𝄡" U0001d121 # MUSICAL SYMBOL C CLEF
|
||
<Multi_key> <numbersign> <o> <slash> : "♪" U266a # EIGHTH NOTE
|
||
<Multi_key> <numbersign> <o> <o> : "♫" U266b # BEAMED EIGHTH NOTES
|
||
<Multi_key> <numbersign> <percent> : "♫" U266b # BEAMED EIGHTH NOTES
|
||
<Multi_key> <numbersign> <q> : "♩" U2669 # QUARTER NOTE
|
||
<Multi_key> <numbersign> <h> : "𝅗𝅥" U0001d15e # MUSICAL SYMBOL HALF NOTE
|
||
<Multi_key> <numbersign> <w> : "𝅝" U0001d15d # MUSICAL SYMBOL WHOLE NOTE
|
||
|
||
|
||
# Combining accents, for making things you don't have precomposed chars or keystrokes for:
|
||
<Multi_key> <backslash> <grave> : "̀" U0300 # COMBINING GRAVE ACCENT
|
||
<Multi_key> <backslash> <apostrophe> : "́" U0301 # COMBINING ACUTE ACCENT
|
||
<Multi_key> <backslash> <asciicircum> : "̂" U0302 # COMBINING CIRCUMFLEX ACCENT
|
||
<Multi_key> <backslash> <asciitilde> : "̃" U0303 # COMBINING TILDE
|
||
<Multi_key> <backslash> <equal> : "̄" U0304 # COMBINING MACRON
|
||
<Multi_key> <backslash> <backslash> <equal> : "̅" U0305 # COMBINING OVERLINE -- ???
|
||
<Multi_key> <backslash> <U> : "̆" U0306 # COMBINING BREVE
|
||
<Multi_key> <backslash> <period> : "̇" U0307 # COMBINING DOT ABOVE
|
||
<Multi_key> <backslash> <quotedbl> : "̈" U0308 # COMBINING DIAERESIS
|
||
<Multi_key> <backslash> <question> : "̉" U0309 # COMBINING HOOK ABOVE
|
||
<Multi_key> <backslash> <o> : "̊" U030a # COMBINING RING ABOVE
|
||
# That now conflicts with the new 🙌 in the system xcompose. Alternative:
|
||
<Multi_key> <backslash> <0> : "̊" U030a # COMBINING RING ABOVE
|
||
<Multi_key> <backslash> <backslash> <apostrophe> : "̋" U030b # COMBINING DOUBLE ACUTE ACCENT -- ??
|
||
<Multi_key> <backslash> <c> : "̌" U030c # COMBINING CARON
|
||
<Multi_key> <backslash> <bar> : "̍" U030d # COMBINING VERTICAL LINE ABOVE
|
||
<Multi_key> <backslash> <2> <bar> : "̎" U030e # COMBINING DOUBLE VERTICAL LINE ABOVE
|
||
<Multi_key> <backslash> <2> <grave> : "̏" U030f # COMBINING DOUBLE GRAVE ACCENT
|
||
# For writing PSILI and DASIA in Greek
|
||
# Ugh, better key-coding? I may need @ for BELOW.
|
||
<Multi_key> <backslash> <backslash> <backslash> <comma> : "̒" U0312 # COMBINING TURNED COMMA ABOVE
|
||
<Multi_key> <backslash> <backslash> <comma> : "̓" U0313 # COMBINING COMMA ABOVE
|
||
<Multi_key> <backslash> <backslash> <less> <comma> : "̔" U0314 # COMBINING REVERSED COMMA ABOVE
|
||
<Multi_key> <backslash> <f> <m> : "͒" U0352 # COMBINING FERMATA
|
||
<Multi_key> <backslash> <parenleft> <period> : "̐" U0310 # COMBINING CHANDRABINDU
|
||
<Multi_key> <backslash> <i> <b> : "̑" U0311 # COMBINING INVERTED BREVE -- ??
|
||
<Multi_key> <backslash> <parenleft> <parenright>: "⃝" U20DD # COMBINING ENCLOSING CIRCLE
|
||
<Multi_key> <backslash> <bracketleft> <q> <bracketright>: "⃞" U20DE # COMBINING ENCLOSING SQUARE
|
||
<Multi_key> <backslash> <bracketleft> <d> <bracketright>: "⃟" U20DF # COMBINING ENCLOSING DIAMOND
|
||
<Multi_key> <backslash> <parenleft> <slash> <parenright>: "⃠" U20E0 # COMBINING ENCLOSING CIRCLE BACKSLASH
|
||
<Multi_key> <backslash> <bracketleft> <s> <bracketright>: "⃢" U20E2 # COMBINING ENCLOSING SCREEN
|
||
<Multi_key> <backslash> <bracketleft> <k> <bracketright>: "⃣" U20E3 # COMBINING ENCLOSING KEYCAP
|
||
<Multi_key> <backslash> <bracketleft> <t> <bracketright>: "⃤" U20E4 # COMBINING ENCLOSING TRIANGLE
|
||
<Multi_key> <backslash> <2> <slash>: "⃫" U20EB # COMBINING LONG DOUBLE SOLIDUS OVERLAY
|
||
<Multi_key> <backslash> <asterisk>: "⃰" U20F0 # COMBINING ASTERISK ABOVE
|
||
<Multi_key> <backslash> <exclam> : "̣" U0323 # COMBINING DOT BELOW
|
||
# With only one underscore it conflicts with stuff.
|
||
<Multi_key> <backslash> <underscore> <underscore> : "̱" U0331 # COMBINING MACRON BELOW
|
||
<Multi_key> <backslash> <backslash> <underscore> : "̲" U0332 # COMBINING LOW LINE
|
||
<Multi_key> <backslash> <backslash> <backslash> <underscore> : "̳" U0333 # COMBINING DOUBLE LOW LINE
|
||
|
||
# The @ sign will signify reversal to the bottom of the glyph, 'kay?
|
||
|
||
<Multi_key> <backslash> <at> <o> : "̥" U0325 # COMBINING RING BELOW
|
||
|
||
<Multi_key> <backslash> <at> <c> : "̬" U032c # COMBINING CARON BELOW
|
||
<Multi_key> <backslash> <at> <asciicircum> : "̭" U032d # COMBINING CIRCUMFLEX ACCENT BELOW
|
||
<Multi_key> <backslash> <at> <U> : "̮" U032e # COMBINING BREVE BELOW
|
||
<Multi_key> <backslash> <at> <i> <b> : "̯" U032f # COMBINING INVERTED BREVE BELOW -- ??
|
||
|
||
# How about leading & (or &&?) for double combiners? There aren't many anyway.
|
||
# Except that I found myself assuming it was "2" for double.
|
||
<Multi_key> <backslash> <ampersand> <at> <U> : "͜" U035C # COMBINING DOUBLE BREVE BELOW
|
||
<Multi_key> <backslash> <2> <at> <U> : "͜" U035C # COMBINING DOUBLE BREVE BELOW
|
||
<Multi_key> <backslash> <ampersand> <U> : "͝" U035D # COMBINING DOUBLE BREVE
|
||
<Multi_key> <backslash> <2> <U> : "͝" U035D # COMBINING DOUBLE BREVE
|
||
<Multi_key> <backslash> <ampersand> <minus> : "͞" U035E # COMBINING DOUBLE MACRON
|
||
<Multi_key> <backslash> <2> <minus> : "͞" U035E # COMBINING DOUBLE MACRON
|
||
<Multi_key> <backslash> <ampersand> <at> <minus> : "͟" U035F # COMBINING DOUBLE MACRON BELOW
|
||
<Multi_key> <backslash> <2> <at> <minus> : "͟" U035F # COMBINING DOUBLE MACRON BELOW
|
||
<Multi_key> <backslash> <ampersand> <underscore> : "͟" U035F # COMBINING DOUBLE MACRON BELOW
|
||
<Multi_key> <backslash> <2> <underscore> : "͟" U035F # COMBINING DOUBLE MACRON BELOW
|
||
<Multi_key> <backslash> <ampersand> <asciitilde> : "͠" U0360 # COMBINING DOUBLE TILDE
|
||
<Multi_key> <backslash> <2> <asciitilde> : "͠" U0360 # COMBINING DOUBLE TILDE
|
||
<Multi_key> <backslash> <ampersand> <i> <b> : "͡" U0361 # COMBINING DOUBLE INVERTED BREVE
|
||
<Multi_key> <backslash> <2> <i> <b> : "͡" U0361 # COMBINING DOUBLE INVERTED BREVE
|
||
<Multi_key> <backslash> <ampersand> <at> <i> <b> : "᷼" U1DFC # COMBINING DOUBLE INVERTED BREVE BELOW
|
||
<Multi_key> <backslash> <2> <at> <i> <b> : "᷼" U1DFC # COMBINING DOUBLE INVERTED BREVE BELOW
|
||
# Might as well finish up the set.
|
||
<Multi_key> <backslash> <ampersand> <greater> : "͢" U0362 # COMBINING DOUBLE RIGHTWARDS ARROW BELOW
|
||
<Multi_key> <backslash> <2> <greater> : "͢" U0362 # COMBINING DOUBLE RIGHTWARDS ARROW BELOW
|
||
|
||
<Multi_key> <period> <parenright> : "͒" U0352 # COMBINING FERMATA
|
||
|
||
<Multi_key> <backslash> <backslash> <asterisk> : "҉" U0489 # COMBINING CYRILLIC MILLIONS SIGN -- aka COMBINING SHINY
|
||
<Multi_key> <P> <minus> : "₽" U20BD # RUBLE SIGN
|
||
<Multi_key> <p> <minus> : "₽" U20BD # RUBLE SIGN
|
||
|
||
# How about for a little extra control:
|
||
<Multi_key> <Z> <W> <S> <P> : "" U200B # ZERO WIDTH SPACE
|
||
<Multi_key> <Z> <W> <N> <J> : "" U200C # ZERO WIDTH NON-JOINER
|
||
<Multi_key> <Z> <W> <J> : "" U200D # ZERO WIDTH JOINER
|
||
<Multi_key> <L> <R> <M> : "" U200E # LEFT-TO-RIGHT MARK
|
||
<Multi_key> <R> <L> <M> : "" U200F # RIGHT-TO-LEFT MARK
|
||
# I never understood the whole embedding/pop thing, but we might as well add 'em
|
||
<Multi_key> <L> <R> <E> : "" U202A # LEFT-TO-RIGHT EMBEDDING
|
||
<Multi_key> <R> <L> <E> : "" U202B # RIGHT-TO-LEFT EMBEDDING
|
||
<Multi_key> <P> <D> <F> : "" U202C # POP DIRECTIONAL FORMATTING
|
||
<Multi_key> <L> <R> <I> : "" U2066 # LEFT-TO-RIGHT ISOLATE
|
||
<Multi_key> <R> <L> <I> : "" U2067 # RIGHT-TO-LEFT ISOLATE
|
||
<Multi_key> <F> <S> <I> : "" U2068 # FIRST STRONG ISOLATE
|
||
<Multi_key> <P> <D> <I> : "" U2069 # POP DIRECTIONAL ISOLATE
|
||
<Multi_key> <L> <R> <O> : "" U202D # LEFT-TO-RIGHT OVERRIDE
|
||
<Multi_key> <R> <L> <O> : "" U202E # RIGHT-TO-LEFT OVERRIDE
|
||
<Multi_key> <B> <O> <M> : "" UFEFF # ZERO WIDTH NO-BREAK SPACE (Byte Order Mark)
|
||
<Multi_key> <C> <G> <J> : "͏" U034F # COMBINING GRAPHEME JOINER
|
||
<Multi_key> <W> <J> : "" U2060 # WORD JOINER
|
||
# These are sufficiently special and well-known that they don't need the
|
||
# double <Multi_key> prefix I think. The all-caps helps too.
|
||
|
||
# How about some small-caps? We normally use a special character as a prefix,
|
||
# but why not a suffix? It won't interfere with things that way.
|
||
# Several of these are also IPA, which is handy. And so a few have multiple
|
||
# entries. Whatever.
|
||
|
||
<Multi_key> <a> <grave> : "ᴀ" U1D00 # LATIN LETTER SMALL CAPITAL A
|
||
<Multi_key> <b> <grave> : "ʙ" U0299 # LATIN LETTER SMALL CAPITAL B
|
||
<Multi_key> <c> <grave> : "ᴄ" U1D04 # LATIN LETTER SMALL CAPITAL C
|
||
<Multi_key> <d> <grave> : "ᴅ" U1D05 # LATIN LETTER SMALL CAPITAL D
|
||
<Multi_key> <e> <grave> : "ᴇ" U1D07 # LATIN LETTER SMALL CAPITAL E
|
||
<Multi_key> <f> <grave> : "ꜰ" UA730 # LATIN LETTER SMALL CAPITAL F
|
||
<Multi_key> <g> <grave> : "ɢ" U0262 # LATIN LETTER SMALL CAPITAL G
|
||
<Multi_key> <h> <grave> : "ʜ" U029C # LATIN LETTER SMALL CAPITAL H
|
||
<Multi_key> <i> <grave> : "ɪ" U026A # LATIN LETTER SMALL CAPITAL I
|
||
<Multi_key> <j> <grave> : "ᴊ" U1D0A # LATIN LETTER SMALL CAPITAL J
|
||
<Multi_key> <k> <grave> : "ᴋ" U1D0B # LATIN LETTER SMALL CAPITAL K
|
||
<Multi_key> <l> <grave> : "ʟ" U029F # LATIN LETTER SMALL CAPITAL L
|
||
<Multi_key> <m> <grave> : "ᴍ" U1D0D # LATIN LETTER SMALL CAPITAL M
|
||
<Multi_key> <n> <grave> : "ɴ" U0274 # LATIN LETTER SMALL CAPITAL N
|
||
<Multi_key> <o> <grave> : "ᴏ" U1D0F # LATIN LETTER SMALL CAPITAL O
|
||
<Multi_key> <p> <grave> : "ᴘ" U1D18 # LATIN LETTER SMALL CAPITAL P
|
||
<Multi_key> <q> <grave> : "ꞯ" UA7AF # LATIN LETTER SMALL CAPITAL Q
|
||
<Multi_key> <r> <grave> : "ʀ" U0280 # LATIN LETTER SMALL CAPITAL R
|
||
<Multi_key> <s> <grave> : "ꜱ" UA731 # LATIN LETTER SMALL CAPITAL S
|
||
<Multi_key> <t> <grave> : "ᴛ" U1D1B # LATIN LETTER SMALL CAPITAL T
|
||
<Multi_key> <u> <grave> : "ᴜ" U1D1C # LATIN LETTER SMALL CAPITAL U
|
||
<Multi_key> <v> <grave> : "ᴠ" U1D20 # LATIN LETTER SMALL CAPITAL V
|
||
<Multi_key> <w> <grave> : "ᴡ" U1D21 # LATIN LETTER SMALL CAPITAL W
|
||
# There is no SMALL CAPITAL X (yet)
|
||
<Multi_key> <y> <grave> : "ʏ" U028F # LATIN LETTER SMALL CAPITAL Y
|
||
<Multi_key> <z> <grave> : "ᴢ" U1D22 # LATIN LETTER SMALL CAPITAL Z
|
||
|
||
|
||
# See also http://bleah.co.uk/~simon/stuff/XCompose
|
||
# and http://dotfiles.org/~inky/.XCompose
|
||
# and http://paste.lisp.org/display/73094
|
||
|
||
<Multi_key> <Multi_key> <s> <u> <n> : "☉" U2609 # SUN (Sunday)
|
||
<Multi_key> <Multi_key> <m> <o> <o> <n> : "☽" U263D # FIRST QUARTER MOON (Monday)
|
||
<Multi_key> <Multi_key> <m> <e> <r> <c> <u> <r> <y> : "☿" U263F # MERCURY (Wednesday)
|
||
# We already have Venus (Friday) and Mars (Tuesday) as Male/Female signs; do we need them here too?
|
||
#<Multi_key> <Multi_key> <v> <e> <n> <u> <s> : "♀" U2640 # FEMALE SIGN
|
||
#<Multi_key> <Multi_key> <m> <a> <r> <s> : "♂" U2642 # MALE SIGN
|
||
<Multi_key> <Multi_key> <j> <u> <p> <i> <t> <e> <r> : "♃" U2643 # JUPITER (Thursday)
|
||
<Multi_key> <Multi_key> <s> <a> <t> <u> <r> <n> : "♄" U2644 # SATURN (Saturday)
|
||
<Multi_key> <Multi_key> <u> <r> <a> <n> <u> <s> : "♅" U2645 # URANUS (or ⛢ U26E2?)
|
||
<Multi_key> <Multi_key> <n> <e> <p> <t> <u> <n> <e> : "♆" U2646 # NEPTUNE
|
||
<Multi_key> <Multi_key> <p> <l> <u> <t> <o> : "♇" U2647 # PLUTO (ok, it isn't a planet anymore, but we still love it.)
|
||
# Minor planets, whilst we're at it?
|
||
<Multi_key> <Multi_key> <c> <e> <r> <e> <s> : "⚳" U26B3 # CERES
|
||
<Multi_key> <Multi_key> <p> <a> <l> <l> <a> <s> : "⚴" U26B4 # PALLAS
|
||
<Multi_key> <Multi_key> <j> <u> <n> <o> : "⚵" U26B5 # JUNO
|
||
<Multi_key> <Multi_key> <v> <e> <s> <t> <a> : "⚶" U26B6 # VESTA
|
||
<Multi_key> <Multi_key> <c> <h> <i> <r> <o> <n> : "⚷" U26B7 # CHIRON
|
||
<Multi_key> <Multi_key> <l> <i> <l> <i> <t> <h> : "⚸" U26B8 # BLACK MOON LILITH
|
||
<Multi_key> <bracketleft> <k> <e> <y> <bracketright> : "⚿" U26BF # SQUARED KEY
|
||
|
||
# Unicode 6.0 gave us all kinds of things, perhaps more than we can use...
|
||
|
||
# Playing Cards? It's a lot, but so what? I don't think the [] convention
|
||
# will conflict with anything.
|
||
# The convention is more or less established, except for the Knight. I'm
|
||
# using N for that, like in Chess, since K would conflict with King of course.
|
||
|
||
<Multi_key> <bracketleft> <A> <S> <bracketright> : "🂡" U1F0A1 # PLAYING CARD ACE OF SPADES
|
||
<Multi_key> <bracketleft> <2> <S> <bracketright> : "🂢" U1F0A2 # PLAYING CARD TWO OF SPADES
|
||
<Multi_key> <bracketleft> <3> <S> <bracketright> : "🂣" U1F0A3 # PLAYING CARD THREE OF SPADES
|
||
<Multi_key> <bracketleft> <4> <S> <bracketright> : "🂤" U1F0A4 # PLAYING CARD FOUR OF SPADES
|
||
<Multi_key> <bracketleft> <5> <S> <bracketright> : "🂥" U1F0A5 # PLAYING CARD FIVE OF SPADES
|
||
<Multi_key> <bracketleft> <6> <S> <bracketright> : "🂦" U1F0A6 # PLAYING CARD SIX OF SPADES
|
||
<Multi_key> <bracketleft> <7> <S> <bracketright> : "🂧" U1F0A7 # PLAYING CARD SEVEN OF SPADES
|
||
<Multi_key> <bracketleft> <8> <S> <bracketright> : "🂨" U1F0A8 # PLAYING CARD EIGHT OF SPADES
|
||
<Multi_key> <bracketleft> <9> <S> <bracketright> : "🂩" U1F0A9 # PLAYING CARD NINE OF SPADES
|
||
<Multi_key> <bracketleft> <T> <S> <bracketright> : "🂪" U1F0AA # PLAYING CARD TEN OF SPADES
|
||
<Multi_key> <bracketleft> <J> <S> <bracketright> : "🂫" U1F0AB # PLAYING CARD JACK OF SPADES
|
||
<Multi_key> <bracketleft> <N> <S> <bracketright> : "🂬" U1F0AC # PLAYING CARD KNIGHT OF SPADES
|
||
<Multi_key> <bracketleft> <Q> <S> <bracketright> : "🂭" U1F0AD # PLAYING CARD QUEEN OF SPADES
|
||
<Multi_key> <bracketleft> <K> <S> <bracketright> : "🂮" U1F0AE # PLAYING CARD KING OF SPADES
|
||
|
||
<Multi_key> <bracketleft> <A> <H> <bracketright> : "🂱" U1F0B1 # PLAYING CARD ACE OF HEARTS
|
||
<Multi_key> <bracketleft> <2> <H> <bracketright> : "🂲" U1F0B2 # PLAYING CARD TWO OF HEARTS
|
||
<Multi_key> <bracketleft> <3> <H> <bracketright> : "🂳" U1F0B3 # PLAYING CARD THREE OF HEARTS
|
||
<Multi_key> <bracketleft> <4> <H> <bracketright> : "🂴" U1F0B4 # PLAYING CARD FOUR OF HEARTS
|
||
<Multi_key> <bracketleft> <5> <H> <bracketright> : "🂵" U1F0B5 # PLAYING CARD FIVE OF HEARTS
|
||
<Multi_key> <bracketleft> <6> <H> <bracketright> : "🂶" U1F0B6 # PLAYING CARD SIX OF HEARTS
|
||
<Multi_key> <bracketleft> <7> <H> <bracketright> : "🂷" U1F0B7 # PLAYING CARD SEVEN OF HEARTS
|
||
<Multi_key> <bracketleft> <8> <H> <bracketright> : "🂸" U1F0B8 # PLAYING CARD EIGHT OF HEARTS
|
||
<Multi_key> <bracketleft> <9> <H> <bracketright> : "🂹" U1F0B9 # PLAYING CARD NINE OF HEARTS
|
||
<Multi_key> <bracketleft> <T> <H> <bracketright> : "🂺" U1F0BA # PLAYING CARD TEN OF HEARTS
|
||
<Multi_key> <bracketleft> <J> <H> <bracketright> : "🂻" U1F0BB # PLAYING CARD JACK OF HEARTS
|
||
<Multi_key> <bracketleft> <N> <H> <bracketright> : "🂼" U1F0BC # PLAYING CARD KNIGHT OF HEARTS
|
||
<Multi_key> <bracketleft> <Q> <H> <bracketright> : "🂽" U1F0BD # PLAYING CARD QUEEN OF HEARTS
|
||
<Multi_key> <bracketleft> <K> <H> <bracketright> : "🂾" U1F0BE # PLAYING CARD KING OF HEARTS
|
||
|
||
<Multi_key> <bracketleft> <A> <D> <bracketright> : "🃁" U1F0C1 # PLAYING CARD ACE OF DIAMONDS
|
||
<Multi_key> <bracketleft> <2> <D> <bracketright> : "🃂" U1F0C2 # PLAYING CARD TWO OF DIAMONDS
|
||
<Multi_key> <bracketleft> <3> <D> <bracketright> : "🃃" U1F0C3 # PLAYING CARD THREE OF DIAMONDS
|
||
<Multi_key> <bracketleft> <4> <D> <bracketright> : "🃄" U1F0C4 # PLAYING CARD FOUR OF DIAMONDS
|
||
<Multi_key> <bracketleft> <5> <D> <bracketright> : "🃅" U1F0C5 # PLAYING CARD FIVE OF DIAMONDS
|
||
<Multi_key> <bracketleft> <6> <D> <bracketright> : "🃆" U1F0C6 # PLAYING CARD SIX OF DIAMONDS
|
||
<Multi_key> <bracketleft> <7> <D> <bracketright> : "🃇" U1F0C7 # PLAYING CARD SEVEN OF DIAMONDS
|
||
<Multi_key> <bracketleft> <8> <D> <bracketright> : "🃈" U1F0C8 # PLAYING CARD EIGHT OF DIAMONDS
|
||
<Multi_key> <bracketleft> <9> <D> <bracketright> : "🃉" U1F0C9 # PLAYING CARD NINE OF DIAMONDS
|
||
<Multi_key> <bracketleft> <T> <D> <bracketright> : "🃊" U1F0CA # PLAYING CARD TEN OF DIAMONDS
|
||
<Multi_key> <bracketleft> <J> <D> <bracketright> : "🃋" U1F0CB # PLAYING CARD JACK OF DIAMONDS
|
||
<Multi_key> <bracketleft> <N> <D> <bracketright> : "🃌" U1F0CC # PLAYING CARD KNIGHT OF DIAMONDS
|
||
<Multi_key> <bracketleft> <Q> <D> <bracketright> : "🃍" U1F0CD # PLAYING CARD QUEEN OF DIAMONDS
|
||
<Multi_key> <bracketleft> <K> <D> <bracketright> : "🃎" U1F0CE # PLAYING CARD KING OF DIAMONDS
|
||
|
||
<Multi_key> <bracketleft> <A> <C> <bracketright> : "🃑" U1F0D1 # PLAYING CARD ACE OF CLUBS
|
||
<Multi_key> <bracketleft> <2> <C> <bracketright> : "🃒" U1F0D2 # PLAYING CARD TWO OF CLUBS
|
||
<Multi_key> <bracketleft> <3> <C> <bracketright> : "🃓" U1F0D3 # PLAYING CARD THREE OF CLUBS
|
||
<Multi_key> <bracketleft> <4> <C> <bracketright> : "🃔" U1F0D4 # PLAYING CARD FOUR OF CLUBS
|
||
<Multi_key> <bracketleft> <5> <C> <bracketright> : "🃕" U1F0D5 # PLAYING CARD FIVE OF CLUBS
|
||
<Multi_key> <bracketleft> <6> <C> <bracketright> : "🃖" U1F0D6 # PLAYING CARD SIX OF CLUBS
|
||
<Multi_key> <bracketleft> <7> <C> <bracketright> : "🃗" U1F0D7 # PLAYING CARD SEVEN OF CLUBS
|
||
<Multi_key> <bracketleft> <8> <C> <bracketright> : "🃘" U1F0D8 # PLAYING CARD EIGHT OF CLUBS
|
||
<Multi_key> <bracketleft> <9> <C> <bracketright> : "🃙" U1F0D9 # PLAYING CARD NINE OF CLUBS
|
||
<Multi_key> <bracketleft> <T> <C> <bracketright> : "🃚" U1F0DA # PLAYING CARD TEN OF CLUBS
|
||
<Multi_key> <bracketleft> <J> <C> <bracketright> : "🃛" U1F0DB # PLAYING CARD JACK OF CLUBS
|
||
<Multi_key> <bracketleft> <N> <C> <bracketright> : "🃜" U1F0DC # PLAYING CARD KNIGHT OF CLUBS
|
||
<Multi_key> <bracketleft> <Q> <C> <bracketright> : "🃝" U1F0DD # PLAYING CARD QUEEN OF CLUBS
|
||
<Multi_key> <bracketleft> <K> <C> <bracketright> : "🃞" U1F0DE # PLAYING CARD KING OF CLUBS
|
||
|
||
<Multi_key> <bracketleft> <C> <B> <bracketright> : "🂠" U1F0A0 # PLAYING CARD BACK
|
||
<Multi_key> <bracketleft> <B> <J> <bracketright> : "🃏" U1F0CF # PLAYING CARD BLACK JOKER
|
||
<Multi_key> <bracketleft> <W> <J> <bracketright> : "🃟" U1F0DF # PLAYING CARD WHITE JOKER
|
||
|
||
# Do we want domino bones also? I'm thinking [ 1 1 ], etc, maybe use
|
||
# ] 1 1 [ for vertical (or vice-versa)
|
||
|
||
# And chess/checkers pieces! We need a convention for those. # looks like a
|
||
# checkerboard but we're already using that for music. Half of it?
|
||
# <bar> will be an issue when we want double-struck W or B... we'll have
|
||
# to consider it. Maybe replace with <equal>
|
||
<Multi_key> <bar> <W> <K> : "♔" U2654 # WHITE CHESS KING
|
||
<Multi_key> <bar> <W> <Q> : "♕" U2655 # WHITE CHESS QUEEN
|
||
<Multi_key> <bar> <W> <R> : "♖" U2656 # WHITE CHESS ROOK
|
||
<Multi_key> <bar> <W> <B> : "♗" U2657 # WHITE CHESS BISHOP
|
||
<Multi_key> <bar> <W> <N> : "♘" U2658 # WHITE CHESS KNIGHT
|
||
<Multi_key> <bar> <W> <P> : "♙" U2659 # WHITE CHESS PAWN
|
||
<Multi_key> <bar> <B> <K> : "♚" U265A # BLACK CHESS KING
|
||
<Multi_key> <bar> <B> <Q> : "♛" U265B # BLACK CHESS QUEEN
|
||
<Multi_key> <bar> <B> <R> : "♜" U265C # BLACK CHESS ROOK
|
||
<Multi_key> <bar> <B> <B> : "♝" U265D # BLACK CHESS BISHOP
|
||
<Multi_key> <bar> <B> <N> : "♞" U265E # BLACK CHESS KNIGHT
|
||
<Multi_key> <bar> <B> <P> : "♟" U265F # BLACK CHESS PAWN
|
||
<Multi_key> <bar> <W> <D> <M> : "⛀" U26C0 # WHITE DRAUGHTS MAN
|
||
<Multi_key> <bar> <W> <D> <K> : "⛁" U26C1 # WHITE DRAUGHTS KING
|
||
<Multi_key> <bar> <B> <D> <M> : "⛂" U26C2 # BLACK DRAUGHTS MAN
|
||
<Multi_key> <bar> <B> <D> <K> : "⛃" U26C3 # BLACK DRAUGHTS KING
|
||
# Since we're doing game pieces, might as well.
|
||
<Multi_key> <bar> <W> <S> : "☖" U2616 # WHITE SHOGI PIECE
|
||
<Multi_key> <bar> <B> <S> : "☗" U2617 # BLACK SHOGI PIECE
|
||
# It's turned vertically and not horizontally reflected, but we use the <
|
||
# symbol for turning...
|
||
<Multi_key> <bar> <less> <W> <S> : "⛉" U26C9 # TURNED WHITE SHOGI PIECE
|
||
<Multi_key> <bar> <less> <B> <S> : "⛊" U26CA # TURNED BLACK SHOGI PIECE
|
||
|
||
# As for the emoji... We can't possibly get all of them, even just all of the
|
||
# cool/useful ones. Maybe we can pick and choose some high-fliers.
|
||
|
||
<Multi_key> <Multi_key> <d> <e> <g> <r> <e> <e> : "°" U00B0 # DEGREE SIGN
|
||
<Multi_key> <Multi_key> <d> <e> <g> <C> : "℃" U2103 # DEGREE CELSIUS
|
||
<Multi_key> <Multi_key> <d> <e> <g> <c> : "℃" U2103 # DEGREE CELSIUS
|
||
<Multi_key> <Multi_key> <d> <e> <g> <F> : "℉" U2109 # DEGREE FAHRENHEIT
|
||
<Multi_key> <Multi_key> <d> <e> <g> <f> : "℉" U2109 # DEGREE FAHRENHEIT
|
||
|
||
# Zodiacal symbols?
|
||
<Multi_key> <Multi_key> <a> <r> <i> <e> <s> : "♈" U2648 # ARIES
|
||
<Multi_key> <Multi_key> <t> <a> <u> <r> <u> <s> : "♉" U2649 # TAURUS
|
||
<Multi_key> <Multi_key> <g> <e> <m> <i> <n> <i> : "♊" U264A # GEMINI
|
||
<Multi_key> <Multi_key> <c> <a> <n> <c> <e> <r> : "♋" U264B # CANCER
|
||
<Multi_key> <Multi_key> <l> <e> <o> : "♌" U264C # LEO
|
||
<Multi_key> <Multi_key> <v> <i> <r> <g> <o> : "♍" U264D # VIRGO
|
||
<Multi_key> <Multi_key> <l> <i> <b> <r> <a> : "♎" U264E # LIBRA
|
||
# Abbreviating some of the longer ones.
|
||
<Multi_key> <Multi_key> <s> <c> <o> <r> <p> : "♏" U264F # SCORPIUS
|
||
<Multi_key> <Multi_key> <s> <a> <g> <i> <t> : "♐" U2650 # SAGITTARIUS
|
||
<Multi_key> <Multi_key> <c> <a> <p> <r> <i> <c> : "♑" U2651 # CAPRICORN
|
||
<Multi_key> <Multi_key> <a> <q> <u> <a> <r> : "♒" U2652 # AQUARIUS
|
||
<Multi_key> <Multi_key> <p> <i> <s> <c> <e> <s> : "♓" U2653 # PISCES
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# Really, this should be SERPENTARIUS. All the other signs are in Latin.
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<Multi_key> <Multi_key> <o> <p> <h> <i> <u> <c> : "⛎" U26CE # OPHIUCHUS
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# Real bitcoin symbol now.
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<Multi_key> <B> <bar> : "₿" U20BF # BITCOIN SIGN
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